Interviews

Vance Powell (bonus): Blackbird Studios, Jars of Clay, Wanda Jackson

Too often people assume that those of us in the field of music recording had a distinct idea of what we wanted to do when we started. The truth is almost always that it's a wild and unpredictable path we end up on. Vance Powell is a perfect example. Starting off in live sound (from local bands to working with such diverse acts as Tammy Wynette, Martina McBride and Jars of Clay) he also had a parallel path in small recording studios along the way. When an opportunity came up to help build (what would become) one of the largest studio complexes in the world, he was there, becoming chief engineer for Nashville's Blackbird Studios. Projects outside Blackbird eventually beckoned. Vance started working extensively with Jack White III on his groups The Raconteurs, The White Stripes, The Dead Weather as well as many of Jack's production jobs, including Wanda Jackson's new album, The Party Ain't Over and a slew of 7-inch singles for Jack's Third Man Records, including a new release by Dungen (see their interview this issue). His work has earned him three Grammy awards (Jars of Clay, Buddy Guy, and The Raconteurs). Along the way he's recorded with a wide variety of artists, including Keb' Mo', Martina McBride, The Secret Machines, Karen Elson and even Jack White and Alicia Keys' over-the-top production of "Another Way To Die" from the James Bond film, Quantum of Solace. I ran around Nashville on a crazy tour with Vance for 11 hours one day and, near the end, we sat down to chat at Sputnik Sound, a fun studio space he shares with producer Mitch Dane.

Have you ever been "let go" from a job?

I've even been fired from a few jobs. I got fired from one job because they wanted their recording to sound raw and then they delivered me an album with 80 tracks! Both of those were Christian rock bands and, honestly, they're projects I'm glad I got fired from.

Have you done much work with Christian rock? There's so much in Nashville.

I recently worked with a group who's sold more Christian albums than anyone in history, but I had no idea who they were. It's not a religious thing, it's just that I like to wake up on Sundays and watch football. [laughter]

That's a good religion!

I did everything I could to lose the Christian gig — not on purpose, but scheduling around that time was hard. I was working on the Wanda Jackson record [The Party Ain't Over] with Jack White III. Then I was on the road with The Dead Weather, which was fun, but I'll never do that again. Then, when I got back, these guys kept trying to get me to do the record. They're a part of a huge church from Australia. Once I started to mix, I found out that the band was on tour and unable to listen to mixes. I ended up mixing the stems and streaming the mixes to them in Sydney. We closed mixes and communicated changes over Skype. Of course in 2001 I did that Jars of Clay record, The Eleventh Hour, which was a Grammy winner. That was my first one. Jack Joseph Puig mixed it. Umm...

MORE INTERVIEWS

Hidden Musics
INTERVIEWS · ISSUE #175 · Sep 2026

Hidden Musics

By Ian Brennan

By 2014, I'd already been transitioning for more than five years from working in traditional studios to almost exclusively doing field recordings overseas. As a result, I'd had some success with groups like Tinariwen, Malawi Mouse Boys, and The Good Ones. At that point, the...

Yves Jarvis
INTERVIEWS · ISSUE #175 · Sep 2026

Yves Jarvis

By Geoff Stanfield

Yves Jarvis is the moniker of Canadian musician Jean-Sébastien Yves Jarvis. His latest release, All Cylinders, won Canada’s Polaris Music Prize for best album of 2025, a record on which Jarvis wrote and performed all of the 16 tracks. Made entirely using Audacity and a half-broken...

Joe Boles
INTERVIEWS · ISSUE #175 · Sep 2026

Joe Boles Seattle Recording Pioneer

By Alex Kostelnik

In the mid-1950s, Seattle was host to the little-known music recording legacy of Jay F. "Joe" Boles. A fraction of his discography includes The Ventures, The Wailers, Cab Calloway, Big Jay McNeely, Buck Owens, The Fleetwoods, Robert "Bumps" Blackwell, Ella...

  Rostam Batmanglij
INTERVIEWS · ISSUE #175 · Sep 2026

Rostam Batmanglij Sonic Cinema

By Sam Retzer

Ever since Rostam Batmanglij burst onto the scene as a founding member of Vampire Weekend, he’s been known for his penchant for baroque and leftfield sounds in pop-leaning indie music. Fresh out of college, he handled production for the first three Vampire Weekend albums (Vampire...

Melina Duterte
INTERVIEWS · ISSUE #175 · Sep 2026

Melina Duterte Sharing Curiosity

By Danielle Goldsmith

Melina Duterte began recording her own music armed with little more than a laptop, a budget mic, and a fascination with how records are made. As Jay Som, she crafted a distinctive sound defined by textural, layered guitars, and soft, intimate vocals. Since then, Duterte has expanded...

Oli Jacobs
INTERVIEWS · ISSUE #175 · Sep 2026

Oli Jacobs Friends & Commitment

By Larry Crane

A graduate of the Tonmeister course, a former Head Engineer at Peter Gabriel’s Real World Studios [Tape Op#63], and now an in-demand mixer, engineer, and collaborator with Jack Antonoff and Laura Sisk [#135], Oli Jacobs has had a heck of a career path. He’s worked on records for artists...