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Mar/Apr 2005

Welcome to issue #46 of Tape Op.

This issue might be about two sides of rock and roll. At one end we have Pink Floyd and David Gilmour's floating state of the art studio, Astoria — an overachievement of creating the best recordings possible. On the other side we have Tommy Ramone, the original brains behind the Ramones and drummer/producer basically by default. He ran with a band that sought to strip rock and roll down to its simplest core and made history. But it's all about music, isn't it? Both of these bands/artists/producers take up a fair share of my record collection, along with many other bands, genres and ideas. There's room for a lot of music out there...

On the other hand the climate of music and technology is changing rapidly. Look to the "End Rant" this issue for some of my thoughts on this matter, and to some of our other features for varying ways of making recordings. The world is changing and we are part of it — not just bystanders.

And once again, if all these topics interest you I expect to see you at TapeOpCon 2005 in New Orleans. There's a lot to discuss this year and we will be doing that. www.tapeopcon.com


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Phil Taylor
Mar 15, 2005 NO. 46 Interviews

Phil Taylor

For nearly a century, The Astoria has woven its own distinct musical heritage along the banks of the river Thames, just southwest of London. With its lush and leafy surroundings, highly reminiscent of...

Mouse On Mars
Mar 15, 2005 NO. 46 Interviews

Mouse On Mars: German Electronic Lab Rats

Mouse on Mars have been electronic pioneers since the early '90s, being one of the first bands to successfully create electronic music for the non-raving crowd — one of the more important bands bridgi...

Sonic Boom
Mar 14, 2005 NO. 46 Interviews

Sonic Boom: Spacemen 3 and EAR

Spacemen 3 were always a band hovering around the perimeters of my musical awareness. I routinely read about them in articles and as an influence on music that I liked. I even played a few tracks from...

Microphones
Mar 15, 2005 NO. 46 Interviews

Microphones: The Decca Tree Technique

In the last issue, Bruce Bartlett examined many of the ways to position two mics for great stereo recordings. Although it might seem strange, there is also a cool way to get great stereo tracks using...