BY LARRY
CRANE
Too often people assume that those of us in the field of music recording had a distinct idea of what we wanted to do when we started. The truth is almost always that it's a wild and unpredictable path we end up on. Vance Powell is a perfect example. Starting off in live sound (from local bands to working with such diverse acts as Tammy Wynette, Martina McBride and Jars of Clay) he also had a parallel path in small recording studios along the way. When an opportunity came up to help build (what would become) one of the largest studio complexes in the world, he was there, becoming chief engineer for Nashville's Blackbird Studios. Projects outside Blackbird eventually beckoned. Vance started working extensively with Jack White III on his groups The Raconteurs, The White Stripes, The Dead Weather as well as many of Jack's production jobs, including Wanda Jackson's new album, The Party Ain't Over and a slew of 7-inch singles for Jack's Third Man Records, including a new release by Dungen (see their interview this issue). His work has earned him three Grammy awards (Jars of Clay, Buddy Guy, and The Raconteurs). Along the way he's recorded with a wide variety of artists, including Keb' Mo', Martina McBride, The Secret Machines, Karen Elson and even Jack White and Alicia Keys' over-the-top production of "Another Way To Die" from the James Bond film, Quantum of Solace. I ran around Nashville on a crazy tour with Vance for 11 hours one day and, near the end, we sat down to chat at Sputnik Sound, a fun studio space he shares with producer Mitch Dane.