Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

NO. 168 Gear Review

WaveMachine Labs: ReStem drum de-mixer app/plug-in

REVIEWED BY Larry Crane
July 22, 2026

Anyone who mixes for hire knows the scenario: A client sends a song to be mixed without individual drum tracks (snare, kick, etc.) that are instead embedded in a single track. I'll send an email, "Hey, can I get the actual tracks for the drums so I can really mix your song?" They...

NO. 168 Gear Review

Peluso Microphone Lab: P-24 stereo tube mic

REVIEWED BY Sonny DiPerri
July 22, 2026

I’ve been a long-time enthusiast/user of the AKG C 24 stereo mic, so it was a treat to review the new P-24 from Peluso Microphone Lab. I have been a fan of Peluso for years, and several mics in their line have been on a lot of albums that I have produced, including the P-12 [Tape Op #72], P-87, and...

NO. 168 Gear Review

JZ Microphones: Vintage 11 Condenser Mic

REVIEWED BY Geoff Stanfield
July 22, 2026

The Vintage 11 is a large diaphragm FET condenser microphone and is part of JZ Microphone’s “Vintage” series that includes the Vintage 67 [Tape Op#133] and Vintage 12 [#147]. The Vintage 11 has discrete Class-A electronics, JZ’s Gold Drop™ capsule technology, and is hand-built in Latvia. Its flat...

NO. 167 Gear Review

SPL: Phonitor 3 DAC headphone amp & monitor controller

REVIEWED BY Tony Vincent
July 22, 2026

A couple of years ago, I moved my studio, SoundShop370, from Manhattan to South Nashville. Since then, I’ve been refining my setup, making sure every piece of gear I use is intentional, functional, high-quality, and built for long-term reliability. Headphones have always played a role in my...

NO. 167 Gear Review

Audeze: LCD-S20 closed-back headphones

REVIEWED BY Geoff Stanfield
July 22, 2026

I have been a big fan of Audeze headphones for years and have enjoyed auditioning and reviewing almost everything in their line. Their open-back LCD-X [Tape Op#119] and MM-500 headphones are used daily in my studio for mixing, and I recommend them to anyone looking for an accurate playback...

NO. 167 Gear Review

Drawmer: Drawmer: MQ-1 and MQ-2 Equalisers

REVIEWED BY Garrett Haines
July 22, 2026

One afternoon at a TapeOpCon, I was debating equalizers with Rupert Neve [Tape Op #26, #87] when hotel staff endeavored to move four loads of folding tables in a single trip. Basically, a seven-foot Jenga on wheels. Upon taking the corner too fast, the whole thing went caddywompus faster than...

NO. 167 Gear Review

API: API: ASM164 Analog Summing Mixer

REVIEWED BY Kurt Kurasaki
July 22, 2026

Automated Processes, Incorporated, popularly known as API, has a rich history spanning over half a century. Since their first consoles were installed in 1967, API has developed new technologies, established important pro audio standards, and contributed to the production of many great records....

NO. 167 Gear Review

AMS Neve: 88C VCA dual compressor/limiter

REVIEWED BY Daniel Ryan Morse
July 22, 2026

VCA compressors are generally fast. Almost any other observation about them would depend on which one you’re talking about. Some are fairly transparent while nonetheless adding excitement to sources. Others – I’m thinking primarily of the API 2500 bus compressor [Tape Op#52] and the dbx 160 – are...

NO. 167 Gear Review

AEA: 1029 VCA compressor

REVIEWED BY Scott McDowell
July 22, 2026

I was delightfully surprised when I happened upon the new 1029Stereo VCA Compressor from AEA. Isn’t the company best known for its great collection of ribbon mics? AEA’s incredible mics are a 21st century studio standard. My partners and I have eight of their ribbons living in our mic closet right...

NO. 167 Gear Review

Partial Meltdown: Lo-Fi Plug-in

July 22, 2026

I must admit that when I first heard about Memorandum, I imagined it being either another impractically-complicated distraction or a source of amusement while awaiting mix approvals from remote clients. When I looked into it further, I appreciated its conceptual focus enough to explore its...

NO. 167 Gear Review

Ear Trumpet Labs: Wanda high SPL condenser mic

REVIEWED BY Larry Crane
July 22, 2026

With its clean, streamlined all-brass construction, Ear Trumpet Labs' Wanda seems to be the first of their unique microphone line that has no plumbing or bike parts in sight. A 26 mm diaphragm phantom-powered condenser mic, Wanda measures under 4-inches long by 2-inches in diameter – with a...

NO. 167 Gear Review

Base 4 Stands: modular microphone stands

REVIEWED BY John Baccigaluppi
July 22, 2026

Mic stands are one of the parts of owning a studio that is not cool or fun. You need them, but they are often abused and constantly need repair. Cheap stands never last, and expensive stands are, well, expensive – and who wants to spend money on something that just gets abused? It's more...

NO. 167 Gear Review

Ohma World: Ohma World: ribbon & condenser mics

REVIEWED BY Chris Koltay
July 22, 2026

One of my favorite things about doing this work are the relationships we establish. I first met Charlene Gibbs, Sammy Rothman, and Nathan Bowers in 2014, while taking a tour of AEA microphones. I knew Wes Dooley [Tape Op#97] already, and had a great relationship with AEA, but after meeting these...