Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

NO. 162 Gear Review

Lindell Audio: LiNTEC Analog EQ

REVIEWED BY Mike Kosacek
July 15, 2024

I've found both the Lindell Audio LiN76 [Tape Op#153] and LiN2A [#156] compressors to be extremely useful in my studio, so I jumped at the chance to check out the new, one channel LiNTEC Vintage Program Equalizer. I use their compressors primarily for tracking purposes, but I mix in the box and...

NO. 161 Gear Review

Universal Audio: UA Bock 251 Tube Mic

REVIEWED BY Scott McChane
May 15, 2024

At the last few pre-pandemic AES conferences I attended, my brief conversations with David Bock centered around his opinions about the classic microphones that were built incorrectly. Most of his comments went over my head, but what I took away was an impression of his passion, talent, and ambition...

NO. 161 Gear Review

oeksound: Bloom Tone-Shaping Plug-In

REVIEWED BY Larry Crane
May 15, 2024

Proclaimed as "an adaptive tone shaper," Bloom is a new plug-in by oeksound, known for the handy tone-fixers Soothe2 [Tape Op#138] and Spiff [#137]. I constantly use Soothe2 to fix tracks that have issues, and it gets a lot of use on my remote mixing jobs, so I was curious what Bloom would...

NO. 161 Gear Review

Standard Audio: Level-Or Mk2 DUAL Limiter

REVIEWED BY Larry Crane
May 15, 2024

Some 24 years ago, my pal Craig Alvin [Tape Op #137] found out that one of Tchad Blake's [#133, #16] ubiquitous mix distortion devices was the Shure Level-Loc. Level-Locs were Shure's attempt at a dummy-proof limiter for podium speakers, even featuring a Distance Selector switch for how far...

NO. 161 Gear Review

UnderTone Audio: UTEQ500 500 Series EQ

REVIEWED BY John Baccigaluppi
May 15, 2024

I’m an EQ guy and always have been. When I began working in studios, the debate was whether or not to EQ to tape or wait to EQ when mixing. Fuck that; get the sound the way you want it when hitting the tape! Nowadays, the debate is about whether hardware EQs sound better than plug-in EQs. If you’ve...

NO. 161 Gear Review

Focal: Trio6 ST6 Active 3-Way Monitor

REVIEWED BY Scott Evans
May 15, 2024

I’m always reluctant to review speakers. It’s hard to do client work on unfamiliar monitors. My room was tuned for my current nearfields over ten years ago, and since then I haven’t moved them an inch – mixing is hard enough already. But when asked about reviewing Focal’s new flagship studio monitors,...

NO. 161 Gear Review

PatchCAD: PatchCAD 3 Patchbay Label App

REVIEWED BY Scott Evans
May 15, 2024

Folks, please label your patchbays: Not with a paper key that sits on top of the bays, not with a PDF on your computer, but with labels on the patchbays. For years, I made labels using a carefully crafted Excel spreadsheet. It worked okay, but when I found PatchCAD 3 I never looked back. PatchCAD 3...

NO. 161 Gear Review

Apogee: Groove Anniversary Edition DAC/Headphone Amp

REVIEWED BY Scott McDowell
May 15, 2024

I’ve loved listening to music in headphones since I was a child, but I’ve come a long way from those flimsy freebies that came with my yellow Sony Walkman. As an adult, I’ve spent weeks at a time earning a living in audio while primarily clocking my hours in cans, and I've learned the hard way...

NO. 161 Gear Review

Chandler Limited: TG Microphone Type L

REVIEWED BY Gus Berry
May 15, 2024

When I was managing Jackpot! Recording Studio, I was fascinated by Tape Op editor and studio owner Larry Crane’s approach to gear-buying. The studio is mostly made up of new equipment with a few vintage items. This is savvy, as new gear doesn’t come with inflated price tags or unexpected (and even impossible)...

NO. 161 Gear Review

Pulsar Modular: P455 MDN Sidecar Plug-In

REVIEWED BY Matt Anderson
May 15, 2024

Pulsar Modular’s P455 MDN Sidecar plug-in was designed in conjunction with engineer Marc Daniel Nelson. Although there’s definitely some API style inspiration involved, they’ve taken a much broader and, in my opinion, much more useful approach to creating a tool that will probably replace entire mix...

NO. 161 Gear Review

Recording The Masters: RTM SM900 Analog Tape

REVIEWED BY John Baccigaluppi
May 15, 2024

The name of this magazine is Tape Op, and we know that lots of people still love working on analog tape machines. We also know that there are a lot of people who have never worked with tape machines yet love the idea of working with tape. However, I want to talk about the elephant in the room; the tape...

NO. 161 Gear Review

Neil Kesterson: Push the Right Buttons (book)

REVIEWED BY Larry Crane
May 15, 2024

With the subtitle "A Practical Guide to Becoming and Succeeding as an Audio Engineer and Producer," the goal of this book should be obvious. But where many books of this ilk usually fail, this book excels. Why is that? Because Neil Kesterson (owner of Dynamix Productions, Inc. in Lexington,...

NO. 161 Gear Review

Milab Microphones: Pearl ELM-T BM Signature Ed. Mic

REVIEWED BY Danielle Goldsmith
May 15, 2024

Pearl Microphone Laboratory is one of the longest-running and oldest microphone manufacturers in the world. Their former production manager, Bernt Malmqvist, has been building quality microphones since 1954. It goes without saying that his expertise and experience is unparalleled. Recently, Pearl released...

NO. 161 Gear Review

Roswell Pro Audio: Mini K67x Condenser Microphone

REVIEWED BY Geoffrey Knecht
May 15, 2024

The need for flexibility is paramount in many recording situations, and affordably meeting that need is a challenge. Fortunately, Roswell Audio’s Mini K67x cardioid large diaphragm condenser mic nicely balances colorful harmonic saturation (from a transformer-coupled circuit) and sparkling clarity,...

NO. 161 Gear Review

Ginger Audio: iRender Binaural Monitoring Plug-In

REVIEWED BY Adam Kagan
May 15, 2024

Those of us who have tried mixing music in Dolby Atmos understand the challenges of learning a new skill. Some of those challenges lie in creative dilemmas, such as “What should go in the overhead speakers?” Yet, the most exasperating struggle lies in predicting the audience’s experience when listening...

NO. 161 Gear Review

TASCAM: Sonicview 24XP Digital Console

REVIEWED BY Geoffrey Knecht
May 15, 2024

It’s clear that TASCAM made no compromises when designing the Sonicview 24XP digital recording and mixing console. While its virtually endless features should make it attractive to seasoned engineers, the Sonicview is exceedingly simple to set up and use for those with less experience. Its unique balance...

NO. 161 Gear Review

Soundcraft: Notepad-8FX Mixer

REVIEWED BY Geoff Stanfield
May 15, 2024

The Soundcraft Notepad-8FX is an entry-level mixer that seamlessly connects as a USB 2.0 interface to your laptop, tablet or phone. It has two mic/line XLR combo input jacks (one of which has a selectable Hi-Z input option for DI sources like electric guitar or bass) with +48V phantom power, four additional...

NO. 161 Gear Review

Sennheiser: HD 490 PRO Plus Headphones

REVIEWED BY Scott McChane
May 15, 2024

We've all grown far too accustomed to the head puckering, bass muffled, ear-smushing, insulated fake spaciness of crappy small speakers strapped to our skulls masquerading as headphones. I've been escaping into under-engineered closed-back headphones since I bought my first copy of Pink Floyd's...