Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

NO. 162 Gear Review

DistroKid: Digital Distribution Platform

REVIEWED BY Geoff Stanfield
July 15, 2024

Gone are the days when a handful of record company executives controlled the means of mass distribution to the general public. Recording tools are now offered at entry-level prices, and there is more than enough information (some excellent, and some terrible!) available on the internet to get you...

NO. 162 Gear Review

AKG: K371-BT Headphones

REVIEWED BY Geoff Stanfield
July 15, 2024

I always have a need for good headphones, and I am fortunate enough to own several different types from various manufacturers. Like reference monitors, they each have a different sonic profile, and provide a unique perspective on program material. I have some high-end models from Audeze that I use...

NO. 162 Gear Review

DPA Microphones: 4099 CORE Loud SPL Mic w/ Cello Clip

REVIEWED BY Yi-Mei Templeman
July 15, 2024

It can be particularly challenging to capture the full nuance and resonance of the cello in recordings. For someone who plays an instrument designed for un-mic'd classical music, I spend a lot of time doing the exact opposite. My music relies on treating my cello as if it is a guitar – lots of...

NO. 162 Gear Review

Trinnov Audio: NOVA Speaker/Room Optimization System

REVIEWED BY Garrett Haines
July 15, 2024

We need to talk about the elephant in the room: the room itself. Many of us work in acoustically compromised spaces. From the card table in the corner for a remote session to the spare bedroom project studio, we can all relate. Even if you operate out of a professional facility, a voice in your...

NO. 162 Gear Review

Baby Audio: Atoms Virtual Instrument

REVIEWED BY Dana Gumbiner
July 15, 2024

The Baby Audio AtomsPhysical Modeling Synthesizer plug-in is a wild virtual instrument created in collaboration between Baby Audio (plug-in developers in Pasadena, California) and Silvin Willemsen, a Postdoctoral Researcher at the Eindhoven University of Technology (Netherlands). What stands out to...

NO. 162 Gear Review

GIK Acoustics: SlatFusor PL Diffusor

REVIEWED BY Geoff Stanfield
July 15, 2024

I've been a long-time user of GIK Acoustic's studio acoustic treatments, employing their 244 FlexRange [Tape Op#113] and Tri-Trap corner [#113] bass traps in my many studios over the years. They install easily, have a clean aesthetic, are made with sustainability in mind, and are...

NO. 162 Gear Review

Hit'n'Mix: RipX DAW PRO

REVIEWED BY Geoffrey Knecht
July 15, 2024

There has been so much talk about AI and its uses, but I haven't come across many products that are practically useful within the scope of my daily work. There are many fun products out there for generating audio, lyrics, images, and more, but they all feel more like entertaining toys and less...

NO. 162 Gear Review

Radial Engineering: Nuance Select Monitor Controller

REVIEWED BY Scott McChane
July 15, 2024

The Nuance Select is Radial Engineering's new desktop stereo monitor controller from the bench of their lead designer, W.C. “Hutch” Hutchison (formerly of Manley Labs and Rupert Neve Designs). Radial supplies engineers and performers with utility products that fill a market gap left by other...

NO. 162 Gear Review

Soyuz: 011 FET SDC Mic

REVIEWED BY Scott McChane
July 15, 2024

Ever since reading Thom Monahan's informative and gushing review of the Soyuz SU-017 tube mic [Tape Op#117], I've been curious about the company's products. JB and Robert Cheek's writeup of the transformer-coupled 013 FET [#139] only solidified my interest. Chris Koltay's...

NO. 162 Gear Review

LEWITT: RAY Condenser Mic

REVIEWED BY Daniel Ryan Morse
July 15, 2024

LEWITT is one of the most innovative and thoughtful microphone designers right now. In a sea of manufacturers churning out knock-off mics, they stand out for releasing fresh, exciting designs. I recently enjoyed recording with their PURE TUBE mic [Tape Op#156] and was excited to try their latest...

NO. 162 Gear Review

Phoenix Audio: Theata 8 ch DI & Summing

REVIEWED BY John Botch
July 15, 2024

At Panoramic House, more and more sessions primarily take place in our fairly large control room. It seems that the studio paradigm has shifted a bit from the days of large studio spaces and smaller control rooms, and now it's not uncommon to have five or six people in the control room with...

NO. 162 Gear Review

Lindell Audio: LiNTEC Analog EQ

REVIEWED BY Mike Kosacek
July 15, 2024

I've found both the Lindell Audio LiN76 [Tape Op#153] and LiN2A [#156] compressors to be extremely useful in my studio, so I jumped at the chance to check out the new, one channel LiNTEC Vintage Program Equalizer. I use their compressors primarily for tracking purposes, but I mix in the box...

NO. 161 Gear Review

Universal Audio: UA Bock 251 Tube Mic

REVIEWED BY Scott McChane
May 15, 2024

At the last few pre-pandemic AES conferences I attended, my brief conversations with David Bock centered around his opinions about the classic microphones that were built incorrectly. Most of his comments went over my head, but what I took away was an impression of his passion, talent, and ambition...

NO. 161 Gear Review

oeksound: Bloom Tone-Shaping Plug-In

REVIEWED BY Larry Crane
May 15, 2024

Proclaimed as "an adaptive tone shaper," Bloom is a new plug-in by oeksound, known for the handy tone-fixers Soothe2 [Tape Op#138] and Spiff [#137]. I constantly use Soothe2 to fix tracks that have issues, and it gets a lot of use on my remote mixing jobs, so I was curious what Bloom...

NO. 161 Gear Review

Standard Audio: Level-Or Mk2 DUAL Limiter

REVIEWED BY Larry Crane
May 15, 2024

Some 24 years ago, my pal Craig Alvin [Tape Op #137] found out that one of Tchad Blake's [#133, #16] ubiquitous mix distortion devices was the Shure Level-Loc. Level-Locs were Shure's attempt at a dummy-proof limiter for podium speakers, even featuring a Distance Selector switch for how...

NO. 161 Gear Review

UnderTone Audio: UTEQ500 500 Series EQ

REVIEWED BY John Baccigaluppi
May 15, 2024

I’m an EQ guy and always have been. When I began working in studios, the debate was whether or not to EQ to tape or wait to EQ when mixing. Fuck that; get the sound the way you want it when hitting the tape! Nowadays, the debate is about whether hardware EQs sound better than plug-in EQs. If you’ve...

NO. 161 Gear Review

Focal: Trio6 ST6 Active 3-Way Monitor

REVIEWED BY Scott Evans
May 15, 2024

I’m always reluctant to review speakers. It’s hard to do client work on unfamiliar monitors. My room was tuned for my current nearfields over ten years ago, and since then I haven’t moved them an inch – mixing is hard enough already. But when asked about reviewing Focal’s new flagship studio...