Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

  • NO. 134

    Networx: Brush Panel

    REVIEWED BY Garrett Haines

    Many of you have run into this situation. You have audio cables that need to connect to jacks on the rear of gear and out to the front of a rack. I've drilled holes in blank panels, filed the sharp edges, and used rubber gaskets to protect the cable. But this is time-consuming and difficult to...

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  • NO. 134

    Rupert Neve Designs: 551 500 Series Inductor EQ

    REVIEWED BY Geoff Stanfield

    Ah, Neve EQ... the stuff dreams are made of. Famous for the 1073 and 1081. Fixed EQ points and basic controls. Warmth, silky smoothness, robust and solid lows. What if you could have all this in a reasonably priced, feature-rich, high-quality 500 Series module – the only 500 Series EQ designed by...

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  • NO. 134

    FLEA Microphones: FLEA 12 Tube Condenser Mic

    REVIEWED BY Larry Crane

    We had this mic at Jackpot! Recording Studio for a while before I got a chance to try it out, so I dropped a line to our manager and Tape Op contributor, Gus Berry, to ask him what his impressions were. He replied, "I love the FLEA 12. It's already become my go-to vocal mic. It's...

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  • NO. 134

    BURL: B4 Mic/Line Input Card

    REVIEWED BY Larry Crane

    As BURL's Mothership B80 [Tape Op #84] has gained popularity with serious recordists as a flexible system to build your own AD/DA converter interface, there's been need for more daughter card modules in order to add flexibility. I've had my BURL stocked with 8-channel BAD8 and BDA8...

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  • NO. 134

    Focusrite Pro: RedNet X2P Interface

    REVIEWED BY Adam Kagan

    If you've been to Focusrite's website lately, you may have noticed that under the "Products" navigation menu, there is a "Focusrite Pro" tab. This tab brings you to into the realm of their RedNet [Tape Op #120] products. RedNet is Focusrite's implementation of the...

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  • NO. 134

    Universal Audio: Capitol Chambers Plug-In

    REVIEWED BY Don Gunn

    The eight reverb chambers built under the parking lot of the Capitol Records building in Los Angeles are some of the most highly revered, and closely guarded, environments for generating natural reverb in the commercial studio world. Capitol has never given permission for impulse responses (IRs) to...

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  • NO. 134

    Telefunken USA: TF51 Tube Microphone

    REVIEWED BY Brad Allen Williams

    In any discussion of large-diaphragm tube condenser mics, five models seem to get mentioned more than all others combined: the Neumann U 47, U 67, and M 49, the AKG C12, and the Telefunken ELA M 251. To buy a clean, original example of any of these microphones requires a stretch into five-figure...

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  • NO. 134

    McDSP: APB-16 Analog Processing Box

    REVIEWED BY Scott McDowell

    The most remarkable thing about McDSP's APB-16 is just how simple it is to use. One of their ads says, "The Future is Here," and they're not wrong! It really feels like Colin McDowell and his team has travelled back from the year 2029 in order to bring this revolutionary tech,...

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  • NO. 134

    Arturia: MicroFreak Algorithmic Synthesizer

    REVIEWED BY John Baccigaluppi

    The French brain trust at Arturia has done it again with MicroFreak; yet another brilliantly designed instrument that's intuitive, highly playable, and builds on some classic designs – but one that is also a unique hardware instrument offered at an affordable price. The modular world and some...

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  • NO. 134

    Retro Instruments: DOUBLEWIDE II 500 Series Tube Compressor

    REVIEWED BY Geoff Stanfield

    I have been the proud owner of the original Retro DOUBLEWIDE mono variable-mu compressor for several years now. It's a handsome, timeless, and classic-styled module that delivers character-filled dynamics control for a variety of sources. It shines on vocals and bass – where it frequently...

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  • NO. 134

    Apogee Digital: Apogee Native FX Plug-Ins

    REVIEWED BY Dana Gumbiner

    Hey, look! Unique low-latency plug-ins from Apogee Digital, the same folks that have brought us such stellar hardware interfaces over the years. Though it may strike some as a late entry into a crowded market, Apogee clearly have given these plug-ins the same time and attention to detail that has...

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  • NO. 134

    FreshBooks: Cloud-Based Invoicing & Accounting Software

    REVIEWED BY Scott McChane

    Money and I just don't get along. Sound familiar? We're engineers, not accountants. Though it may be a tad pricier than QuickBooks Online, FreshBooks is very similar and a little dumbed down for us non-accountant types. You can generate custom email or PDF invoices (JB loves the analog...

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  • NO. 134

    TC Electronic: June-60 Analog Chorus Pedal

    REVIEWED BY John Baccigaluppi

    Anyone familiar with the iconic Roland Juno-6 or 60, will know and love the analog bucket brigade (BBD) chorus effect that is part of that instrument. Now that classic effect is available as part of a standalone pedal from TC Electronic. Like the original, the June-60 uses an analog bucket brigade...

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  • NO. 134

    Vicoustic: Cinema Round Premium Acoustic Panel & Super Bass Extreme Bass Trap

    REVIEWED BY Jessica Thompson

    Last winter, I set up an extra room in my house as a digitizing and restoration studio. I don't master in this room, but I still need it to sound good sothat when calibrating my tape machine, adjusting azimuth, or QC'ing masters I can trust what I hear. For most of my career (lucky me!)...

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  • NO. 133

    MAAT: thEQorange Plug-In

    REVIEWED BY Garrett Haines

    MAAT's thEQorange is an update of the famous Algorithmix PEQ Orange linear EQ plug-in. The original Orange EQ (along with its Red sibling) were very popular with mastering houses. Users suggested that plug-ins were approaching the quality of hardware/dedicated digital processors. A series of...

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  • NO. 133

    Drobo: 5N2 Network File Server

    REVIEWED BY Garrett Haines

    Drobo is a US-based company specializing in data storage solutions. More than a drive enclosure, the 5N2 provides data protection, web-based file management, and scalable capacity. My photography and videography colleagues rely on Drobo. When other creatives agree on a reliable tool, it's a...

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  • NO. 133

    RØDE Microphones: PodMic & PSA1 Boom Arm

    REVIEWED BY Thom Monahan

    Unusually heavy for its size and price point, the RØDE PodMic dynamic broadcast microphone feels overbuilt to the very meaning of the word. With an industrial black and silver look and minimalist all metal construction, this mic (and included yoke mount) weigh nearly two pounds. It's a cliche...

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  • NO. 133

    Behringer: Vocoder VC340 Analog Synthesizer

    REVIEWED BY John Baccigaluppi

    I can't say I'm a huge fan of the part of the Behringer business model that seems to copy designs and intellectual property from other manufacturers, then rebuild said designs super cheaply in China. But on the other hand, not everybody can afford to buy fancy, handmade, boutique audio...

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  • NO. 133

    Hamptone: MP500A 500 Series Mic Pre

    REVIEWED BY Chris Koltay

    When I asked a handful of reviewers to consider writing about Hamptone's 500 Series JFET microphone preamp, the prolific Don Gunn from Seattle and stalwart Detroit gear nerd Chris Koltay were among the first to accept. Hamptone's owner, Scott Hampton, generously provided preamps to both...

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