Gear Reviews

REAL-WORLD ASSESSMENTS OF RECORDING EQUIPMENT BY WORKING PROFESSIONALS.

  • NO. 165

    Undertone Audio: UTA-D UnFairchild 670M MkII Plug-In

    REVIEWED BY Dana Gumbiner

    Whoa! A plug-in recreation of the Undertone Audio UnFairchild 670M II vari-mu compressor [Tape Op#125]? Sign me up. The hardware UnFairchild is a beast, ranking highly on my desert island gear list. Eric Valentine [#45, #133], the crew at Undertone, and Mixland <mixland.io> developed the UTA-D...

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  • NO. 165

    BURL Audio: BURL Black Audio Interface

    REVIEWED BY Adam Kagan

    I’m frequently asked by friends and clients which audio interface they should upgrade to for their studio. My usual advice is to focus on features, as most modern interfaces deliver similarly-excellent sound quality. However, after using the new BURL Black series interfaces, I must retract that recommendation....

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  • NO. 165

    Elysia: Xpector Dual Headphone Amp

    REVIEWED BY Adam Kagan

    Like many, I’ve grown increasingly comfortable working on headphones ever since the COVID lockdown – to the point that even when mixing and mastering commercial projects in my studio, I often spend long stretches working exclusively on headphones. Because of this, I’ve become quite critical of both...

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  • NO. 165

    Universal Audio: Topline Vocal Suite Plug-In

    REVIEWED BY Daniel Ryan Morse

    Universal Audio’s Topline Vocal Suite offers an entire vocal chain’s worth of UAD analog effects in a single Native plug-in. Rather than overwhelm you with options, Topline divides its eight individual effects into three helpful sections: Tuner & Shift; Channel Strip; and Modulation, Delay, &...

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  • NO. 165

    Focusrite: Scarlett 16i16 Interface

    REVIEWED BY Larry Crane

    My home studio is very simple, and is mostly used for editing audio, prepping mixes before using my "real" studio, recording remote interviews, doing my voiceovers, and mixing in the box. An old pair of Dynaudio BM6A speakers [Tape Op#22] and a Dangerous Music D-Box [#61] monitor controller...

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  • NO. 165

    Ferrofish: Pulse 16 MX Converter

    REVIEWED BY Geoff Stanfield

    Recently, I’ve been working on streamlining my studio setup, and part of that plan was to ditch my patchbays and integrate all of my beloved analog gear via hardware inserts. I don’t run a commercial studio (I’m the sole engineer), so my main goal is to simplify my personal workflow. I have an Antelope...

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  • NO. 165

    Expressive E: Osmose Synth/MPE Controller

    REVIEWED BY John Baccigaluppi

    I have seen the future, and it is this instrument. In an industry that overuses terms like “revolutionary” and “game changer,” Expressive E’s Osmose is an amazing new instrument with an extremely elegant and refined culmination of over 40 years of research into sound synthesis and electronic musical...

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  • NO. 165

    Earthworks Audio: DK6 6-Piece Drum Mic Kit

    REVIEWED BY Geoff Stanfield

    Earthworks Audio has been known for its quality mics for decades, and they are my first choice for clean capture of sources without hype. I have always found them to be natural and detailed sounding, and I use them frequently for acoustic instruments such as drums, acoustic guitars, and woodwinds. In...

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  • NO. 165

    ADAM Audio: D3V Active Monitors

    REVIEWED BY John Baccigaluppi

    For over a decade, I’ve been using a pair of Tascam VL-M3 [Tape Op#77] monitors with my Universal Audio Apollo Twin [#101] interface for in the box editing and overdubbing in my small home office studio space. They’ve served me well, sounding better than built-in computer speakers or cheap consumer...

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  • NO. 165

    Cranborne Audio: Carnaby HE2 EQ

    REVIEWED BY Scott McDowell

    The two-channel Carnaby HE2 is the new flagship version of the Carnaby Harmonic EQ® designed by Cranborne Audio. What do I mean when I say, “Harmonic EQ?” It operates like a multi-band saturator that presents as a 3-band EQ strip. It’s obviously helpful to think of it as an EQ, but it functions quite...

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  • NO. 165

    Universal Audio: Apollo x8p Gen 2

    REVIEWED BY Dana Gumbiner

    Universal Audio recently released an update to all five of their flagship Apollo audio interfaces, so we got our hands on the new Apollo x8p Gen 2 for testing. The Apollo range has now been in the market for over a decade, with fully matured hardware/software integration and specs that rival the best...

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  • NO. 165

    AKG: AKG: P420 Microphone

    REVIEWED BY Geoff Stanfield

    I have a list of microphones that I recommend for people looking for good quality that doesn’t cost an arm and a leg. Most of these people are hobbyists, making home recordings for themselves or dipping their toes into the wild waters of recording. My go-to list includes mics from Audio-Technica, Audix,...

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  • NO. 165

    Groove Synthesis: 3rd Wave Synthesizer

    REVIEWED BY John Baccigaluppi

    If you are a synthesist, we currently live in a golden age of instrument design. The original “East Coast” and “West Coast” analog synth designs that were supplanted in the mid-‘80s by digital synthesizers have evolved into a huge palette of options to consider when shopping for (or designing) a new...

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  • NO. 165

    Solid State Logic: 2+ MKII Interface

    REVIEWED BY John Baccigaluppi

    Though there are many two-channel computer DAW interfaces on the market, I’m often a bit stymied when friends call and say they need a decent, affordable unit for themselves or for their kid just getting into recording. After using the Solid State Logic 2+ MKII, that question is much easier for me to...

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  • NO. 165

    H2 Audio: 0011 Mic pre/EQ

    REVIEWED BY Michael Urbano

    When H2 Audio reached out about getting their 0011 mic preamp/EQ reviewed, my good friend and session drummer Michael Urbano came to mind. Michael has worked on records with Todd Rundgren, Trina Shoemaker, Sheryl Crow, Eric Valentine [Tape Op#45, #133], Cracker, Matt Wallace [#128], Jack Joseph Puig,...

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  • NO. 165

    Serato: Hex FX Multi-Effects Plug-In

    REVIEWED BY Geoff Stanfield

    Hex FX from Serato is a virtual multi-effects rack that works as an AU or VST3 plug-in and is compatible with Serato Studio, Ableton Live [Tape Op#160], Apple Logic Pro [#74], Native Instruments Maschine, and FL Studio. It can also be used with Pro Tools via a conversion “wrapper” plug-in, such as PatchWork...

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  • NO. 164

    AudioScape Engineering Co.: XL-305R Spring Reverb

    REVIEWED BY Brian Tarquin

    I have always loved a good sounding reverb unit, one that is authentic and usable in real life mixes. I used to own the magnificent AKG BX20E spring reverb, housed in a beautiful 3.5 foot tall wooden tower made in Austria. It sounded even better than it looked, utilizing helix springs with long time...

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  • NO. 164

    Trident Audio Developments: 80B-EQ 500 Series EQ

    REVIEWED BY Brian Tarquin

    I’m a faithful Trident user and have had several Trident recording consoles over the years. Trident Studios was formed by two brothers, Norman and Barry Sheffield, in 1968, with artists such as Manfred Mann, The Beatles, David Bowie, and Elton John recording there. When the studio upgraded from 16 to...

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  • NO. 164

    Randy McNutt: Historic Recording Studios (book)

    REVIEWED BY Larry Crane

    This 399-page, large format book, Historic Recording Studios: America’s Sound Factories and the People Who Made Them, is actually Volume One (A to M) of “A Scrapbook and Encyclopedia” by producer, musician, journalist, and music fan Randy McNutt. It’s an updated and reformatted continuation of his 2001...

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