I’m a fanboy of Grace Design's gear, so when they announced the m701 interface at the NAMM Show in January, I immediately got in touch with Michael and Eben Grace to ask if I might be able to review it when it became available. Now that I’ve had a beta unit here in my studio for a few months...
With an extensive background as the lead tech for a pro audio retailer and the service manager for a console manufacturer, Alex “Skip” Welti founded Creation Audio Labs in 2003. He began working as a mobile tech for studios around Nashville, repairing everything from consoles to guitar amps in his...
Each year, more examples of vintage-inspired EQs, compressors, preamps, and mics are made available. Big-name brands, as well as boutique manufacturers, seem to think we all have an endless appetite for clones of classic gear. Consequently, contemporary designs of bread-and-butter products are...
The PSPaudioware DRC dynamic range controller is one of the most noteworthy plug-ins I have seen in a long time. Using the dbx 118 Dynamic Range Enhancer as a foundation, the DRC is neither a clone nor an emulation. Enhanced controls offer users deeper adjustments than the original, however, the...
The Motor Synth MkII from Gamechanger Audio is, by some margin, the most original synthesizer design I've seen (and heard!) in some time. It's a desktop unit that generates audio waveforms via its eight variable-speed internal drone motors – that's "drone" as in...
On some level, everyone is susceptible to the dreaded panacea syndrome when it comes to adding tools to their workflow. “If I only had this one piece of gear, all my problems would be solved!” The Oven “Mojo Box” analog processor by Hendyamps and its plug-in counterpart by Brainworx (distributed by...
When I try to teach what compression is and how to use it, I'll always use the "shape of a waveform through time" as a way to explain what compression can do. In the synthesizer world, this is referred to as the "envelope," which includes four stages of modulation: Attack...
The ubiquitous AKG C414 mic has been manufactured in various forms since 1971. I’ve reviewed the modern day C414 XLII [Tape Op#154] and given it high marks, so when the opportunity to check out its sibling microphone, the C414 XLS, came up, I jumped at the chance. Both of these large diaphragm...
LEWITT, the respected Austrian manufacturer known for its microphones and audio interfaces, has released its first plug-in: Space Replicator. Designed for headphone use, Space Replicator lets users experience how their audio would sound when played through speakers in various virtual environments....
The Bitwig Connect 4/12 is a versatile desktop audio USB-C interface that provides four inputs and twelve outputs, along with CV (control voltage) I/O and MIDI capabilities. It also sports some cool monitor and DAW control features, not to mention a special Bitwig Mode that sets it apart when used...
Subtitled a zine about sound, this mag includes a wide array of people and thoughts and features an arty screen-printed cover. Within its 21 pages, the first issue has an interview with Tape Op pal Matt Boudreau of Working Class Audio, an article with Kirsten Izer and Randy Belculfine discussing...
Full disclosure: I was interviewed for this book and appear in the text a bit, plus Tape Op is mentioned. However, despite my own involvement, I found this book to be an important read. As a founding concept of Tape Op, I've long held that people who mostly fixate on recording equipment are...
For those of us constantly striving to maximize the potential of a hybrid workflow, the LPZ-2 from Avedis Audio can make the job a little easier. It offers two levels of stereo padding to convert balanced line level signal to microphone preamp input level, prevents nonlinear source/load impedance...
Anyone who mixes for hire knows the scenario: A client sends a song to be mixed without individual drum tracks (snare, kick, etc.) that are instead embedded in a single track. I'll send an email, "Hey, can I get the actual tracks for the drums so I can really mix your song?" They...
I’ve been a long-time enthusiast/user of the AKG C 24 stereo mic, so it was a treat to review the new P-24 from Peluso Microphone Lab. I have been a fan of Peluso for years, and several mics in their line have been on a lot of albums that I have produced, including the P-12 [Tape Op #72], P-87, and...
The Vintage 11 is a large diaphragm FET condenser microphone and is part of JZ Microphone’s “Vintage” series that includes the Vintage 67 [Tape Op#133] and Vintage 12 [#147]. The Vintage 11 has discrete Class-A electronics, JZ’s Gold Drop™ capsule technology, and is hand-built in Latvia. Its flat...
My first experience with Soyuz products in 2021 was brief but memorable. I still recall the smooth, rich sound of the 017 FET condenser and its distinctive aesthetic heirloom-quality construction. When I heard about The Launcher Deluxe, I wondered if it could offer the classy vintage vibe and...