Interviews
The Architect of 70's AOR: Bill Szymczyk on Recording Joe Walsh, B.B. King, & the Eagles
by Jake Brown
Legendary record producer Bill Szymczyk helped dial in sounds for The Eagles, Joe Walsh, The James Gang, The Who, Elvin Bishop, and The J. Geils Band. Many have argued that AOR...
Interviews
Poor Man's Neve (or, how I got an incredible analog console on a shoestring budget)
by Jim McGee
I've been in the recording business for about 35 years, coming up through all the formats. 2-track to 24-track, 2-inch to Pro Tools. My mentor was the late great Peter J. Helffrich of Helffrich...
Interviews
Indigo Ranch: Richard Kaplan & Mike Pinder on Operating Malibu's Legendary Studio in the 70s & 80s
by Larry Crane
Indigo Ranch, nestled on 60-acres in the hills of Malibu, California, operated from 1974 until 2006, under the guidance and obsessions of Richard Kaplan. Clients took advantage of his meticulously...
Women in Audio
Tanya Donelly: Belly, Throwing Muses, Solo
by Kraig Mason
In 1985, when I was 15 years old, my best friend's older brother gave me a cassette tape that said "Throwing Muses Demo" on the label. The first time I played it I was completely blown away —...
Interviews
Giles Martin: The Beatles Revisited
by Jeff Slate
Giles Martin certainly comes from an enviable musical pedigree. His father, the legendary producer Sir George Martin, had more number one hit records, and broke down more barriers in the recording...
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Joy Division, Buzzcocks, & "Walls Rushing In & Out": the Endless Echoes of Martin Hannett
by Larry Crane, Chris Hewitt
From the moment I first heard Joy Division's two studio albums, Unknown Pleasures and Closer, I was affected. Initially I returned the LPs to my friend Steve, saying, "These are too gloomy. I don't...
Larry Villella: Behind the Gear with ADK Microphones
by Larry Crane
ADK Microphones began in 1997 as the dream of Larry Villella — recording engineer, piano expert, and vintage mic collector — to build quality microphones for his friends. ADK's...
Richard Kaplan: & the Bing Crosby CBS Radio Tapes
by Larry Crane
These are original masters of a radio show that was done from 1954 to 1956. Some of the tapes I got had 3M numbers on them, and it's among the earliest known tape. The Buddy Cole Band was...
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Gear Geeking
Gear Geeking w/ John...
by John Baccigaluppi, Andy Hong
A special installment featuring two guest editorials from JB! -AH I'm not much of a fan of software synths that work as DAW plug-ins. I've tried virtual instruments from Arturia, UVI, GForce, and...
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Izotope's BreakTweaker plug-in: Find Full Songs Inside a Single Rhythm Sequencer
by iZotope | reviewed by Brandon Miller
BreakTweaker is a fantastic new rhythm/drum-sequencing plug-in from iZotope and Grammy-nominated musician, producer, and all-around genius Brian Transeau (better known as BT). Their previous...
Roland's GK-KIT-GT3 Divided Pickup Kit: Guitar Synthesis for the Nerd-Conscious
by Roland | reviewed by John Hong
Somehow, a strap-on keyboard can pass as dorky/cool, especially with the rise of "nerdcore." But IMHO, a synth guitar is just... well... dorky, and always will be. Just check YouTube for shredders...
The VCS3 Synthesizer App for iOS: More Fun Than ACTUAL Analog Synths..??
by apeSoft | reviewed by John Baccigaluppi
I've tried a lot of different iOS software synthesizers, but this app is probably the most enjoyable and best sounding soft synth I've used to date — on an iPad or a computer — and it has...
The Synthesizer (Oxford University Press)
by Mark Vail | reviewed by John Baccigaluppi
In 2005, Matt Warshaw, a well-known surf journalist who had written for just about every surfing publication that exists, published The Encyclopedia of Surfing, which became the definitive reference...
SP1 2UBE tube processor
by SBS Designs | reviewed by Brandon Miller
With the resurgent interest in analog gear, there are tons of new boxes on the market. Most have a straightforward purpose, but there are still some that don't fall into the "normal" categories of...
SRP 600 2-way active monitor
by Sonodyne | reviewed by Dave Hidek
The Sonodyne SRP series is a no-nonsense entry into the sub-$1000 monitor scene, with five different models ranging from 3'' to 8'' in woofer size. Touting an ultra-wide sweet spot with custom...
Q10 active coaxial monitor
by Equator Audio | reviewed by Steve Silverstein
When I moved my mix setup out of my living room and into a large shared studio space, I sensed that it would be helpful to have a larger pair of midfields for monitoring. Unfortunately, most of the...
440 mic preamp & pedal interface (500-series)
by Meris | reviewed by Geoff Stanfield
My head is spinning these days with all of the available options for the 500-series format. As a kid, Baskin-Robbins and their 31 flavors seemed overwhelming. Generally, I stuck with what I knew was...
Audulus synthesis & processing app
by Subatomic Software | reviewed by John Baccigaluppi
I've been a bit stymied on how to start this review off, so I'll run all three of my potential intros by you: 1. To the guy who got upset by my review of I Dream Of Wires, in which I said all the...
SC205 2-way monitor, TS107 subwoofer
by EVE AUDIO | reviewed by Eli Crews
As someone who has been using ADAM monitors fairly religiously for the past seven years or so, I became quite interested when I heard that the former CEO of ADAM Audio had started a new speaker...
Ehrlund EAP Acoustic Pickup System
by EhrlundMicrophones | reviewed by Mike Jasper
When I record acoustic guitars, I use a mic. A real one. Mainly mono, but sometimes stereo — especially if it's a one-voice, one-guitar recording — but definitely a mic; no pickup...
Miktek CV4 mic modification
by MicRehab | reviewed by Adam Monk
How do you get a $10,000 sounding mic without bankrupting your studio? Send it to Shannon Rhoades at MicRehab, that's how. Specifically, I'm talking about the Miktek CV4. To be fair, the stock mic is...
R2 Stereo reverb plug-in
by Exponential Audio | reviewed by Dave Hidek
I've been on a mission over the last seven or eight years to find a reverb plug-in that fills the void left by not being able to place a microphone, say, 5-20 ft away from a source. I've used just...
Dangerous Compressor
by Dangerous Music | reviewed by Greg Calbi, Eli Crews, Garrett Haines
Andy Hong: When the Dangerous Compressor was first announced, I knew that it would be something special, like all of its sibling products in the Dangerous Music line — despite its seemingly...
363 tube DI
by Tonecraft Audio | reviewed by Roy Silverstein
The 363 is the first product from San Diego-based Tonecraft Audio, but owner Jon Erickson is no newcomer to the studio equipment scene. Most notably, he spent some time at A-Designs Audio and was...
Minifooger analog effects pedals
by Moog | reviewed by Scott Evans, Andy Hong
Moog Music has been making big, sophisticated pedals — Moogerfoogers — since 1997. They're amazing pedals with lots of synth-inspired modulation features, but they're pretty expensive and...
TruTone Head
by Graefe Designs | reviewed by Dave Cerminara, Garrett Haines
We've all seen photos of studios that own a wall of guitar tube heads. Certainly, having a dozen or more amps to choose from might be ideal, but the total cost can be prohibitive for a studio owner....
THC Distortion Stompbox plug-in
by Massey Plugins | reviewed by Dave Hidek
The Massey THC (Total Harmonic Corruption) plug- in is a no-nonsense analog-modeled distortion "stompbox." THC has the same familiar controls — drive, filter (tone), and level — that you'd...
UH-7000 mic preamp & USB interface
by TASCAM | reviewed by Alan Tubbs
Instead of offering eight or more inputs loaded with mic preamps in a never-ending quest for bang-for-buck, some companies are designing two-channel units that put the emphasis on quality rather than...
Rokit 5 G3 active monitor
by KRK | reviewed by Eli Crews
Anyone who has read my previous reviews may know that two years ago, I left the comfort of my trusted Oakland studio to start mixing primarily in my apartment in Brooklyn. I started working right away...
Avocet 2 monitor controller
by Crane Song | reviewed by Geoff Stanfield
Confidence. Transparency. I like my monitor controllers like I like my politicians. I want confidence that I am hearing what is and what is not there. Confidence that the choices I am making in terms...
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Music Reviews
The Voyager
by Jenny Lewis | reviewed by Larry Crane
When I am asked to describe my personal goals when making records, I frequently say that I'm looking to make classic, timeless works of art. I want to make albums that can be listened to for many...
Music Reviews
Colfax
by The Delines | reviewed by Larry Crane
Songwriter and novelist Willy Vlautin has led Portland's Richmond Fontaine for 20 years. With this new group, The Delines, he's written songs for Amy Boone (The Damnations TX) to sing, and grabbed his...