In 2017 John and I went to visit Scott Jacoby in Manhattan at his Eusonia Studios. Since then he’s mixed Jason Mraz’s Look for the Good album, produced and written for a diverse slew of...
A frequently overlooked part of hip-hop history and culture, the story of the mixtape deserves to be archived, preserved, and celebrated. Beginning with cassette-recorded board tapes of early...
I first met Randy Kohrs years ago at the Summer NAMM tradeshow in Tennessee. Randy is known as a hotshot player; a multi-instrumentalist who's respected for his resonator guitar/dobro abilities. But...
This story begins many years ago, in Portland, Oregon. It was 1996, and the first issue of Tape Op had just been released. In a quest to learn more, I had been devouring as many books and magazines...
I met Emily Wells years ago and we immediately hit it off, talking about gear and careers. She's released a number of albums of her unique compositions and excellent musicianship (her violin playing...
When I first purchased an iPhone I was less than excited about most of the "extra" applications available. Games and other time-passing tools had no appeal to me. But when Peter Chilvers and Brian Eno...
For years Pea Hicks has carried a torch for the Optigan, a unique optical disc-powered keyboard from the '70s. His band with Rob Crow, Optiganally Yours, has released three albums. He's produced and...
In issue 81 of Tape Op, in January 2011, we interviewed John Congleton for the first time. John and Tape Op have stayed in touch ever since. And as his career has taken off, he’s produced...
Ken Scott is an undisputed legend. We interviewed him way back in Tape Op issue #52. His work with The Beatles, Elton John, David Bowie, George Harrison, Supertramp, and countless others, has him...
As one half of The Black Keys with Dan Auerbach [Tape Op #127], Patrick Carney has witnessed their band achieve the sort of commercial success they would have once considered impossible. But more than...
I remember the first time I heard the Dub Syndicate album, Tunesfrom the Missing Channel, in 1984. I was used to reggae being somethingearthy and warm, but here was a record that sizzled and popped...
In 2019, I was asked to moderate a panel at Music Expo Miami, and luckily for us one of the panelists was Maria Elisa Ayerbe, a local recordist, producer, and mixer I had heard much about and wanted...
