interviews

We talk at length with record-makers about how they make records.

March 17, 2021  |  No. 142

Sheldon Gomberg

by Barbra Schultz

Plenty of engineers and producers migrate from one side of the glass to the other: at some point, an engineer realizes she’s happier on the technical side, or a producer discovers his knack for...

Jan. 19, 2021  |  No. 141

Ricky Reed: Doing His Own Thing

by Geoff Stanfield

Growing up surrounded by the Bay Area’s rich mix of hip-hop, pop punk, funk, and soul, a door opened for producer Ricky Reed when one of his productions found its way to Jason Derulo and...

July 20, 2022

by

None

Jan. 19, 2021  |  No. 141

Lyle Workman: Uncommon Measures

by John Baccigaluppi

Last fall, I had the pleasure of meeting up and chatting with two successful Hollywood film composers (Charlie Clouser & Lyle Workman), each in their respective home studios. Interestingly,...

Jan. 19, 2021  |  No. 141

Charlie Clouser: Scoring

by John Baccigaluppi

Last fall, I had the pleasure of meeting up and chatting with two successful Hollywood film composers (Charlie Clouser & Lyle Workman), each in their respective home studios. Interestingly, what...

Jan. 10, 2024

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None

Jan. 19, 2021  |  No. 141

Laraaji: True Listening

by Geoff Stanfield

Laraaji (born as Edward Larry Gordon) may be most well-known for his 1980 album Ambient 3: Day of Radiance, a collaboration with Brian Eno for his legendary ambient series of recordings, but...

Jan. 19, 2021  |  No. 141

Piper Payne: Respect For the Craft

by Ian Brennan

A drummer turned mastering engineer, Piper Payne is a Bay Area audio professional who I’ve long admired. She has worked with the likes of The Go-Go’s, Shannon & the Clams, Third Eye...

Jan. 19, 2021  |  No. 141

The Music of JG Thirlwell

by Larry Crane

Composer, musician, and producer James George Thirlwell has been known as JG Thirlwell, Clint Ruin, Frank Want, and most famously, Foetus and its many incarnations. Lately he has been doing quite a...

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