ISSUE ARCHIVE
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May/June 2015
I've long been a fan of film soundtracks. In fact I entered college under the pretense of a degree in filmmaking, but (despite obtaining a degree) that time soon transitioned into running lights for live bands, volunteering as a DJ/Music Director at the college radio station, as well as eventually playing in a band and making records. But, from a young age, I have always been enthralled by soundtracks and how they could immerse a viewer in a movie. Film music was a way to be exposed to new and interesting sounds. For instance, the "Lux Aeterna" choral music of Gy
— LARRY CRANE, EDITOR & FOUNDER
John Rodd might not be a household name, but it's likely you've heard his work. As a recording and mix engineer, he's worked on many film and television scores, including Elysium...
You might not know Brian Reitzell's name, but you probably know his work. As the music supervisor and composer for most of Sofia Coppola's films, he's worked with the French electronic...
We've seen a lot more documentaries come down the pike lately, and thanks to a multitude of cable channels and video streaming we have ready access to many of these films. And, lucky for us, a...
Psych Pop has been enjoying a healthy resurgence. The loudest shots from the latest wave were fired by Tame Impala when they released Innerspeaker in 2010, soon becoming one of the biggest indie acts...