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Welcome to issue #160 of Tape Op.

What are the personal rewards of making and recording music? Or, maybe more tellingly, what are the rewards of recording other people's music?

Steve Albini & Lil BUB — Mark Pallman from Lil BUB's Big SHOW

In this issue, with Kyle Nicolaides' "What is Success in Music?" piece, we see how misunderstanding what success and fame truly are (or could be) can sometimes be debilitating. In John Baccigaluppi's "One Degree" End Rant, we get a perspective on how our day-to-day recording studio work can, at times, become intertwined with important albums we've always admired. In our interview with Mike Bridavsky, he discusses taking a few years doing less recording to take care of his special cat, Lil BUB, and coming back to the studio with a renewed sense of purpose.

Our pride and our egos can get wrapped up in any activity we get involved in as humans. As we move though life, it's important to look for the aspects of our activities that we take pleasure in and feel proud about. I love helping a great album get recorded or mixed and eventually out into the world for people to hear, and I hope that I bring something special to my work that the artist appreciates. There's always something to learn from any studio session, and it makes me feel better to have strengthened my collection of technical, musical, and psychological skills to use in the future. I can look at a stack of albums, all of which I worked on, and feel proud that I have worked on records that I would have likely gone to a record store to purchase if this hadn't become my career.

None of this has anything to do with top-of-the-charts successes, winning major awards, or lots of money rolling in. Knowing that I've enriched a music fan's listening experience, inspired someone to record themselves, and simply getting to be a part of the amazing world of music is reward enough for me.

— Larry Crane, editor & Founder


— LARRY CRANE,EDITOR & FOUNDER

Larry Crane's signature

IN THIS ISSUE

Sera Cahoone
Mar 13, 2024 NO. 160 Interviews

Sera Cahoone: Protector of Songs

Known as a drummer (including the band Carissa's Wierd, for singer-songwriter Patrick Park, and in an early version of Band of Horses), Sera Cahoone received much acclaim as a songwriter once her solo albums began appearing in 2005, including two on Sub Pop Records. Her fourth album, From Where I Started, is a great place to check out her intimate, perfectly produced music. It was this album that also led singer/songwriter Margo Cilker to ask Sera to produce and play drums on her debut album, Pohorylle, as well as the recent Valley of Heart's Delight. Margo's career is taking off thanks to this fine work, and it was a treat to chat with Sera, Margo (see Margo interview hereURL), and their engineer (and sometimes co-producer) John Morgan Askew (see John interview hereURL), a way back Tape Op contributor who owns and runs the Bocce recording studio in Vancouver, Washington, just north of Portland, Oregon. L to R: Rebecca Young, Sera Cahoone, Margo Cilker, John Morgan Askew — Photo by Adam Levy

What is Success in Music?
Mar 13, 2024 NO. 160 Interviews

What is Success in Music?

If there was a Grammy awarded for comparing one's life with others and then suffering about it, I'd be a superstar by now. I have a long history of picking up a magazine, such as this one, comparing m...