Welcome to issue #95 of Tape Op.

In 1910, at 38 Köethner Straße, the Builder's Association of Berlin [Baugeschäfte] began construction on what would eventually become an architectural neoclassical masterpiece. Completed three years l...

Coming up through the ranks of Memphis' fabled Ardent Studios [Tape Op #58], Jeff Powell has been making cool records for more than two decades, initially as an assistant engineer, then as a staff eng...

Australia's Tame Impala, led by Kevin Parker, have taken the classic psychedelic sounds of Cream and "The White Album" era Beatles, combining them with elements that can only exist in the modern age....

Name an engineer/producer that has Diana Ross, Sisters of Mercy, Devo, Bruce Springsteen, Janis Ian, David Bowie, Bon Jovi, and Steely Dan in their credits. Chances are you didn't think of Larry Alex...

Some audio equipment becomes more sought after once it goes out of production. A small company from Utah called NTI (later known as Nightpro) introduced the EQ3, PreQ3 and EQ3D in the '90s and then di...

Australia's Tame Impala, led by Kevin Parker, have taken the classic psychedelic sounds of Cream and "White Album" era Beatles, and combined them with elements that can only exist in the modern age. T...

In 1910, at 38 Köethner Straße, the Builder's Association of Berlin [Baugeschäfte] began construction on what would eventually become an architectural neoclassical masterpiece. Complet...

Name an engineer/producer that has Diana Ross, Sisters of Mercy, Devo, Bruce Springsteen, Janis Ian, David Bowie, Bon Jovi, and Steely Dan in their credits. Chances are you didn't think of Larry Alexa...

Rock is dead. At least the big business of rock 'n' roll, that is. But big budgets, unlimited studio time and total indulgence still exist in the hip-hop and pop worlds. And where there's money, talen...

Coming up through the ranks of Memphis' fabled Ardent Studios [Tape Op #58], Jeff Powell has been making cool records for more than two decades, initially as an assistant engineer, then as a staff engineer/mixer, and finally as a producer. He's been independent since 1997, but still considers Ardent his home base. Powell's enviable credit roster includes the likes of Bob Dylan, B.B. King, Tonic, Big Star, The Bottle Rockets, Stevie Ray Vaughan, Sharon Jones, Centro-matic, Primal Scream, Lucinda Williams, Ryan Adams, and The Afghan Whigs. His early years at Ardent landed him sessions working elbow-to-elbow with producer/engineer legends such as Jim Gaines, Glyn Johns, Rob Fraboni, John Hampton [Tape Op #92], Joe Hardy and Jim Dickinson [Tape Op #19]. And getting the call to do six albums with Tom Dowd certainly must've been a career highlight. Gleaning and condensing a huge "bag of tricks" from these greats, Jeff has come up with his own eclectic approach to making records. In addition to working on multiple gold and platinum records, as well as six Grammy-winning projects, Jeff currently chairs the Producer and Engineering wing for the Memphis Chapter of NARAS, and has been honored as a legendary producer of Memphis at the annual Blues Ball. Recently, Powell has learned the disappearing art of cutting vinyl, apprenticing under Larry Nix on the original Stax lathe at Ardent. He's been cutting vinyl, under the name Take Out Vinyl, for artists from all over the country such as The Twilight Singers, Centro-matic, Mickey Hart, and Lucero. In July of 2011, Jeff and Lucas Peterson opened Humongous Too, an open room style tracking space in the Edge district in Memphis. And since 2011, Jeff's also been an Adjunct Professor, overseeing senior projects at the University of Memphis Recording Program. I've always been struck by Jeff's approachability, friendliness, and awesomely skewed sense of humor. He has recorded my band, The Weisstronauts, at Ardent on a few different occasions, and it's been a pleasure to take off my own "producer hat" and work with him.