It was nearly three years ago that this curious white stompbox, with the Harmonizer trademark name on it, showed up at a Deerhunter gig. One big turnwheel? App-based control? I was skeptical, to say...
Here's another multi-opinion review from three of our contributing writers. Mastering and restoration engineer Jessica Thompson recently joined the staff of Coast Mastering in Berkeley, CA. Sarah...
One of the many things I love about owning a studio and making records is the bonding we do with our clients during the intense collaborations we call record-making. I've been extremely fortunate...
I've been thinking a lot lately about how we evolve as engineers, and in a way, it's my favorite part of the job. You wake up one day and realize you are doing something totally differently, like the...
The use of effect pedals at the mixing board is by no means a new thing. I remember studio owners thinking I was crazy in the '90s when I patched in a SansAmp Bass Driver DI or BOSS DM-2 Delay pedal...
The 500-series market has seen a flood of new products, to say the least. I keep waiting for Dyson to come out with a 500-series vacuum. Or maybe Bodum will make a milk frother for the format. The...
I tend to think of things in reference to a chronology of gear purchases. Like, "Oh yeah, we had just gotten that mic when we tracked those vocals!" Along those same lines, my studio's chronology...
Every now and then, a product comes along that sets a new bar for sound quality, features, and price. The Orion32 is a prime example. When contributing writers Tony SanFilippo and Chris Koltay...
If you have a pulse and have been making records during the last few decades, then you are aware that Wes Dooley and Audio Engineering Associates have been making the finest ribbon mics available. I...
The Federal AM-864/U was made for the US Army in the '40s and '50s for use in AM radio broadcasting. Like most obscure, vibey pieces of vintage gear, these have recently become prohibitively...
