Remember when hardware reverbs were the sole effects available? I certainly do. In the mid-‘90s, when I began making records in Los Angeles, I would scan any unfamiliar studio for the presence of Eventide SP 2016 [Tape Op#129] reverbs and H3000/DSP4000/Orville Harmonizer units. With those hardware effects...
Recently, I was lucky to catch Stereophonic, David Adjmi’s off-Broadway (Playwrights Horizons in New York City) hit, featuring songs by ex-Arcade Fire member Will Butler and directed by Daniel Aukin. Set within a dazzling approximation of Record Plant Sausalito circa 1976, the show follows a rising...
It wasn't that many years ago that my staff at Jackpot! Recording Studio kept mentioning FabFilter's Pro-Q 3 [Tape Op#132] so much that I began using it on everything; they were correct – it’s a well thought out EQ tool that's easy to use and sounds proper. Since I'd somehow remained...
The Shure SM7 microphone [Tape Op#36] is an all-around workhorse mic that has been ubiquitous in the recording industry since its introduction in 1973. Subsequently, many engineers have recognized the SM7’s versatility, in large part due to its flat and wide-range frequency response, one that produces...
These two books are both highly disparate but also very similar. More than anything else, I found them fun to read and also inspiring, although in different ways. But in the end, inspiration is exciting regardless of the source or even the subject. Both Mr. Rubin and Mr. Schlarb are white males who...
What's a BinAmp? Well, the fine folks at PSPaudioware love the sound of the preamp section of the Binson Echorec 2 delay, those cool metal-based magnetic drum delays from Italy, first introduced in 1960. Utilizing six 12AX7/U7 tubes, the real Echorec 2 tonally changes instruments run through it....
Looking for a new effects pedal and want to know if the Eventide H90Harmonizer is a good fit for a recording rig? Well, it absolutely is a good choice for recording situations. However, is it a good fit for you? That depends on how comfortable you are with studying a user manual. Eventide encourages...
Mixing drums can seem like some sort of magic. Mysterious, delightful, revelatory, fascinating, confounding, and confusing all at once. My experience begins with the love of playing drums. The power us drummers wield is amazing! We are able to adjust the vibe of a song by leaning in or out, or by playing...
DPA's DDK4000 is a selection of their mics packaged as a complete drum recording solution, including the 4055 kick mic, a 2012 compact cardioid mic intended for snare, two 2015 wide cardioid mics for overheads, and three 4099 compact mics for toms. DPA has been making high headroom, low noise,...
As a Windows/PC user, I have been watching from the sidelines as Universal Audio's Apollo series became one of the most established interface and plug-in platforms while garnering lots of positive word of mouth and reviews. But now, Universal Audio has released the Apollo Twin X USB 3.0 interface!...
The kind folks at Wavesfactory recently offered up the free SK10 plug-in, which simulates having a speaker-based mic as an extra low frequency kick drum track. Insert it on your kick track, dial in the amount of sub frequency desired via the Mix knob and set the Lowpass frequency (200 Hz down to 10...
I work in studio recording, location sound, and live performance. For me, versatility is king, and I'm constantly searching for tools that allow me to minimize my kit and do more with less. With this in mind, Earthworks Audio's SR117 is exemplary. I love how natural this microphone sounds....
It's no secret that I am a fan of JZ Microphones. In the past, they've offered exclusively large diaphragm microphones, but with the BT202 they have entered the small diaphragm condenser [SDC] market with an offering that has an interesting look and sound. I cannot decide if they resemble...
I've been wary of "all-in-one" vocal processing plug-ins that claim to deliver "pro-level vocals" for your mixes with minimal work. I've tried a few, and every time I've been better off removing the plug-in and going back to my analog-inspired workflow. That is, until...
The latest compressor from Empirical Labs is similar to Ike and Tina Turner’s classic cover of “Proud Mary,” in that it ranges all the way from nice to rough. Like its older sibling, the Distressor [Tape Op#32], the PUMP makes it easy to dial in smooth and transparent VCA-style compression or aggressively...
Remix is a plug-in that "uses cutting edge technology based on artificial intelligence" in order to un-mix a stereo track into five stems of Vocals, Piano, Bass, Drums, and Other. There have been a handful of apps that do this recently, but Remix is the first I've seen that can be inserted...
Universal Audio (UA) is one of the giants of the plug-in world, and their emulations of classic analog gear are among the most hallowed. With the release of their PolyMAX synth, UA is showing they’re capable of more than mixing magic; they can deliver innovative music creation tools as well. The PolyMAX...
The Meris LVX is exactly the delay unit I have been dreaming of. Lucky for me, it’s also the delay unit that the folks at Meris have been dreaming up for over two years, and it's a masterclass in how to package a profound, deep, and powerful set of sonic tools into an easy-to-use box. It’s almost...
Gregory Scott's Kush Audio has done their 10,000 hours when it comes to designing audio compressors. It was a decade ago that Kush released the UBK-1 [Tape Op#86] hardware unit and subsequent plug-in, which became an immediate go-to for my mix sessions in any style. Since then, they've continued...