Interviews
Mike Rutherford of Genesis & Mike + the Mechanics: Why Three Heads are Better Than Five
by Jeff Slate
When Mike Rutherford steps in to his hotel lobby from the busy New York City streets, there's barely a stir. Though tall and remarkably unchanged from his days as the guitarist in Genesis and...
Motown & Memphis
Chief Engineer of Motown: Russ Terrana Shares 18 Years of Recording for the Iconic Label
by Rob Bisel
It is truly remarkable to step back and examine the full societal impact that some recording engineers and mixers have had on American culture. During his 18-year tenure as Chief Engineer for Motown...
Interviews
Richard Dodd
by Larry Crane
Even among recording, mixing, and mastering engineers, Richard Dodd's career has been a unique one, covering many styles of music. His work began in the early '70s and continues today. In that time...
Mastering
Bob Ludwig: Master of Mastering
by Nicolay Ketterer
If someone has mastered 8,000 to 9,000 albums to date — many of them rock and pop DNA — they are probably doing something right. Bob Ludwig started cutting lacquers at A&R...
Behind the Gear
Rich Williams: Behind the Gear with Burl Audio
by Larry Crane
Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. Their mic preamps, summing amps, and control room...
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"Keep the Drummer Happy": Nick Launay on Recording Lou Reed, Kate Bush, Midnight Oil
by Nicolay Ketterer
Throughout the years, Nick Launay has worked with Nick Cave & the Bad Seeds, PiL, Gang of Four, Lou Reed, Kate Bush, Midnight Oil, Yeah Yeah Yeahs, Arcade Fire, INXS, Talking Heads/David Byrne,...
Caribou's Dan Snaith on His Decade-long Electronic Music Evolution
by Dan Duszynski
The ease of modern music software has allowed for the creation of an abundance of average, homogenous, electronic records; but over the last 14 years, Dan Snaith's project, Caribou, has...
Mark Ronson's Sonic Travels: from Amy Winehouse to Uptown Special
by Larry Crane
Mark Ronson got his start as a young DJ in NYC before going on to work with Amy Winehouse, Nikka Costa, Lily Allen, Macy Gray, Saigon, Adele, Paul McCartney, Duran Duran, and many others. Mark's...
Richard Dodd (bonus): Full Alternate Interview
by Larry Crane, F. Reid Shippen
Even among recording, mixing, and mastering engineers, Richard Dodd's career has been a unique one, covering many styles of music. His work began in the early '70s and continues today. In that time...
Jackson Browne: Production & Politics
by Jeff Slate
The thing that struck me in talking to Jackson Browne, as the 40 minutes I'd been promised passed the 90 minute mark, was how much he cares; not just about the state of the world we live in, but...
Jim Sclavunos: Bad Seeds, The Jim Jones Review
by Matt Frost
As a drummer, Jim Sclavunos has kicked it with the best of them for over 35 years: Red Transistor, Beirut Slump, 8 Eyed Spy, Sonic Youth, The Cramps, Alex Chilton, Tav Falco's Panther Burns, Congo...
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End Rant
All In
by Larry Crane
I opened my commercial recording studio (Jackpot! Recording) in 1997, after years of simultaneously having a busy home studio while working day jobs to pay the rent. Making this leap to a full-time...
Gear Geeking
Gear Geeking #105
by Andy Hong
When I saw Hüsker Dü and Soul Asylum perform at the Paradise Rock Club in Boston in 1986, the bands were loud enough to cause physical pain to my ears. The high frequencies were especially...
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Not Your Parents' MIDI Controllers: Review of KMI's QuNeo, 12 Step, SoftStep & MIDI Expander
by Keith McMillen Instruments | reviewed by Alex Maiolo
Berkeley, California's Keith McMillen Instruments (KMI) has a solid reputation for innovation in an industry sometimes known for releasing products that are often just another variation on a common...
A Swiss-Army Knife for Harmonic Distortion: Pete Weiss Reviews Soundtoys Decapitator
by Soundtoys | reviewed by Pete Weiss
Soundtoys Decapitator has been around for a while now, and it's one of my favorite plug-ins. I was surprised when Andy Hong asked if I wanted to review it — oddly, it had never been reviewed in...
An "Abbey Road" Plug-In? G. Stanfield Reviews Waves Emulation of the EMI TG12345 Channel Strip
by Waves | reviewed by Geoff Stanfield
The legendary TG12345 consoles made by EMI are very rare and scattered around the world, from England to Brazil. If you have scratched the surface of recording history, you know the impact that EMI...
Crossing Through the Looking Glass: Thom Monahan Reviews Chandler's TG2-500
by Chandler Limited | reviewed by Thom Monahan
Sometimes, it's right in front of your face, and you just don't see it. You're working with your preconceptions and past experiences — and it takes a little time, a flat out mistake, or just...
?You Kids Today and Your Audio Interfaces?: Dana Gumbiner?s Review of Apogee?s Ensemble Thunderbolt 2
by Apogee | reviewed by Dana Gumbiner
You kids today and your audio interfaces. Back in my day, we had to trudge five miles uphill in the snow by foot to a dilapidated brick and mortar music shop, then find the one crusty, bitter employee...
?Not For the Street & Subway Crowd?: Andy Hong Reviews Blue?s Innovative Powered Headphones
by Blue Microphones | reviewed by Andy Hong
This is the most innovative headphone I've ever seen, and it sounds great. Its low-frequency reproduction is especially impressive — better than any headphone in my collection. But before we...
The VT-3 Voice Transformer: A review of Roland's new hardware take on the classic vocoder sound
by Roland | reviewed by John Baccigaluppi
When Roland's AIRA line was announced at NAMM last year, it was the buzz of the show, mainly for the new instruments inspired by the classic TR-808, TB-303 and SH-101. The VT-3 seemed a bit like the...
One15, One18, Amp100
by Amphion Loudspeakers | reviewed by Adam Monk
Natural, musical, clear, detailed, open — these are all buzzwords that you hear in studio monitor speaker talk. The search for new monitors can be daunting, and wading through opinions of...
Nicerizer Junior summing mixer
by Phoenix Audio | reviewed by Adam Kagan
Last year, Phoenix Audio, well-known for their history of servicing vintage Neve gear, debuted the newest addition to their line of summing mixers. While their flagship Nicerizer 16 Mk 2 brings the...
Flexiguy FG500
by NonLinearAudio | reviewed by Bobby Lurie
In a galaxy long ago, it was not uncommon to spend a day or two getting a snare drum sound on a big-budget record. Numerous drums were carted to the session and the pounding "thwack" would begin. The...
True to the Source?: Geoff Stanfield Reviews Audiotechnica's AT5045 Side-Address Condenser Mic
by Audio-Technica | reviewed by Geoff Stanfield
Is that a ribbon mic? Is that a square capsule? Those are just a couple of the things I heard clients ask when seeing the new Audio-Technica AT5045. In a world of copies and recreations of classic...
RX 4 Advanced, RX 4
by iZotope | reviewed by Larry Crane
In issue #100 of Tape Op, I extolled the virtues of iZotope RX 3 audio repair software and gave many examples of how I use this "noise reduction" plug-in suite and standalone application in tracking...
TBDD 500-series chorus
by TB Audio | reviewed by Scott Evans
Brian Horvitz is the proprietor of Boston area-based TB Audio. Brian produces DIY-inspired analog gear, some as kits and some ready to go. His TBDD is a "modern implementation" of Roland's classic...
600850 Lollipop-Style condenser mic
by Monoprice | reviewed by Joseph Lemmer
This multi-pattern, large-diaphragm condenser mic is hefty and appears to be very solidly made. It does not ping at all when flicking any part of the mic with your finger. The all-metal shockmount...
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Music Reviews
The Album Collection Vol. 1, 1973- 1984
by Bruce Springsteen | reviewed by Thomas Fine
The Boss's first seven Columbia albums are included in this eight CD box, newly remastered and packaged in miniature LP covers (also available as an LP or Mastered for iTunes). Mastering ace Bob...