The rest of this article is only available with a Basic or Premium subscription, or by purchasing back issue #16. For an upcoming year's free subscription, and our current issue on PDF...
Maybe you remember Geoff's interview from Tape Op #3 where we talked a lot about tube amps and such. Since then a lot of readers have mentioned how handy that was and how they'd like to hear...
In Recording Recipes No. 2 (TAPE OP No. 10), I wrote about flying microphones. This time I'll set forth a few recording techniques involving flying (roaming, really) musicians. As with the...
Andrew Marcinkowski has been working as an engineer in some of NYC's best known studios for ten years. In house stints at Chung King Recording Studios and Mission Sound have gotten him a great...
So Matt Frost turns in his fine article here on Jackson Analogue and then Jim Homes emails me to say, "We are doing a lot of remixing these days, but they are all recorded entirely again (keeping only...
In the last issue of Tape Op, Rich Hardesty's article, "A Beginner's Guide to Digital Recording With Your PC," was really inspiring to me for two reasons. First, that you were doing an article, on...
Since I often record alone, I've developed a few techniques to compensate for the lack of extra eyes, ears and hands (until cloning is available to the masses) that I work without. Not all these...
We hear about a lot of great studios here at Tape Op but not very many are run by 75 year old grandmothers. Elsie Childers runs her Trusty Tuneshop studio on her farm in Nebo, Kentucky. The big...
Production techniques involving sound manipulation have evolved exponentially over the past few years as creativity, experimentation and the DAW, have paved the way for new forms of sonic abuse. Sound...