Interviews
Scott Solter : 16 Chapters on Recording, Music & Commitment
by Andy Brawner
Try to write about Scott Solter and you will struggle. You will have numerous conversations with the man. Those conversations will span a number of years. You will talk about tape machines. You...
Interviews
Kitty, Daisy & Lewis: An Analog Family Affair
by Alexander Lawson
Lewis Durham is the guitarist from sibling trio Kitty, Daisy & Lewis. Their songs and style are heavily influenced by a variety of genres, including: rhythm and blues, swing, jump blues,...
Interviews
Fixing It Before the Mix 5: Acoustic Guitar: Simple Recipes for Mixing Happiness
by Chris Stamey
One of the biggest stumbling blocks for first-time recordists is capturing acoustic guitars. There are many ways to mic these instruments, and also many ways to go astray. Good mic preamps and good...
Interviews
Tim Hatfield : From Keith Richards to Bottle Rockets
by Larry Crane
After we interviewed Eric "Roscoe" Ambel for Tape Op [issue 13, 1999, book Vol II], he'd kept in touch with us (plus I've gotten to see him play a few times!). Along the way he noted that he and a...
Interviews
Nino Moschella : Rural Funkmaster
by Larry Crane
I've been all over the world, searching out unique recording spaces. However, none have been in as rural a location than the building in the woods where Nino Moschella recorded his fantastic...
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T Bone Burnett : Plant, Krauss and Recording Love
by Larry Crane
I was told this interview would never happen. Apparently T Bone is a busy man, producing records, overseeing film soundtracks, recording solo albums and touring the world. Burnett has been involved...
Bitone: Remote Recording in Uganda
by Grant Buhr
Bob Heil : Behind The Gear with Heil Sound
by Larry Crane
When the name Heil started popping up around recording studios in conjunction with an interesting take on large diaphragm dynamic microphones a few years back, it was not a new name to those with a...
Reamping Drums
by John Noll
Re-amping guitar tracks is a pretty common technique these days, but did you know you can also re-amplify drums? This process can solve problems and expand your sonic palette during mixing. I was...
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End Rant
Purity and Honesty in Recordings
by Larry Crane
Here at Tape Op World Headquarters we get numerous emails from folks fighting the good fight against the threat to our world known as digital recording. All of the hideous doors that have opened since...
Gear Geeking
Gear Geeking #67
by Andy Hong
Around New Year 2007, I suped up a new Mac Pro and configured it for dual-boot. Although my primary DAW platform, Steinberg Nuendo with RME hardware (Tape Op #63), is both Windows and Mac OS...
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7720 Stereo Compressor
by Chameleon Labs | reviewed by Ralph Stover
At one time, I owned an Alan Smart C2 compressor, but these days, I mix in the box and rely on the Waves SSL compressor plug-in, so I was excited to try out the VCA-based 7720, which relies on THAT...
ATS-1 Analog Tape Simulator
by AnaMod | reviewed by Allen Farmelo
The emulation of analog gear in the digital realm is nothing new, but the emulation of analog gear in the analog realm is a new concept-analog modeling. AnaMod was founded in 2006 by two long-time...
HR824 MK2 active monitors
by Mackie | reviewed by Andy Hong
In my personal studio, I've relied on ADAM S3-A's (Tape Op #33) as my main monitors for the past five years. But for many years before that, I counted on Mackie HR824's. I purchased the HR's after...
MR5 active monitors
by Mackie | reviewed by Andy Hong
The first time I connected these tiny speakers to my console's outputs, I couldn't believe the size of the sound I was hearing. After playing through a few more songs, I had to walk out of the control...
ISA One preamp/DI
by Focusrite | reviewed by Al Lawson
When the ISA One first arrived, I was worried that its features seem to be targeted at the solo, at-home recordist and that I wasn't going to get the best out of it purely because that's not usually...
Jupiter 8V software synthesizer
by Arturia | reviewed by Thom Monahan
It used to be that using a soft synth really felt like a compromise. Even with the best emulations, it's always been hard not to think that if you could get your hands on the "real thing" it would...
Live 7
by Ableton | reviewed by Dana Gumbiner
Yet another timely upgrade to Ableton's unparalleled DAW sequencing software instrument, Live 7 offers up a great number of optimizations, enhancements, and new instruments. I can be a bit wary of...
De:Esser
by Massey Plugins | reviewed by Allen Farmelo
There aren't a lot of de-essers out there, probably because they're not very sexy and not at the top of many people's wishlists. But a good de-esser is invaluable, especially now that so many people...
schOPE VST audio analyzer
by Schwa | reviewed by Garrett Haines
Schwa/Stillwell are a cool plug-in company. I'm going to start writing about one of their utilities to help our readers ease into this product line. Simply put, the titles you'll find at...
Model 5 mic preamp
by Gordon Instruments | reviewed by Mike Jasper
My first outboard preamp was the much-maligned Drawmer 1969. I wanted to keep the signal chain as simple as possible and use a preamp with a built-in compressor, so I chose two channels of Drawmer...
The Earlybird 1.2 tube preamp
by Thermionic Culture | reviewed by Mike Caffrey
Although Thermionic Culture's Phoenix compressor (Tape Op #63) gets raves from everyone I know who has one, as does the Culture Vulture (Tape Op #45), The Earlybird 1.2 has yet to receive the...
Masterpiece 2
by Legendary Audio | reviewed by Garrett Haines
The Legendary Audio Masterpiece 2 is a comprehensive 2-bus analog processing system conceived by Billy Stull and designed by Rupert Neve. Physically, the Masterpiece is a 6RU-height 19" rack unit that...
Masayuki Akamatsu Oscillator
by Masayuki Akamatsu | reviewed by John Baccigaluppi
This is a great little app for the iPod Touch or iPhone available from the iTunes store. It outputs a sine, square, or sawtooth wave with variable pan and output gain. It also outputs white noise....
Fat Track tube production suite
by TL Audio | reviewed by Neil Mclellan
These days, my business partner Neil Mclellan spends just as much time working on the road with his laptop or on his home rig as he does in big SSL and Neve-equipped rooms-that's just the current...
micKing 2200 mic stand
by Latch Lake Music | reviewed by Garrett Haines
A few years ago, we lucked upon an old Neumann U 87. Cosmetically, it was pretty beat up, so it was only $1200. After testing it, we were exceptionally pleased with its sound. I supplied Neumann with...
MicPort Pro USB mic preamp
by CEntrance | reviewed by Andy Hong
In my review of the Samson Audio G-Track USB mic (Tape Op #64), I praised it for its ease of use and affordability as well as its built-in zero-latency monitoring. Without the latter, a USB mic would...
UAD-2 plug-in processor
by Universal Audio | reviewed by John Baccigaluppi
Universal Audio more or less set the standard for hardware plug-in processors with their UAD-1 series. They were one of the first to release a product of this type and currently have one of the...
UAD-2 plug-in processor
by Universal Audio | reviewed by Eric Broyhill
Universal Audio more or less set the standard for hardware plug-in processors with their UAD-1 series. They were one of the first to release a product of this type and currently have one of the...
BPM Tap Tempo
by Audiodog | reviewed by John Baccigaluppi
Another iPhone app, this utility helps you determine tempo and delay times. Just tap the tap button in time to a track, and it outputs the tempo and delay times in milliseconds for whole, half,...
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Music Reviews
Carried to Dust
by Calexico | reviewed by Larry Crane
How does a band continue to grow, yet not change so much that their audience becomes disgruntled? Calexico's previous album, 2006's Garden Ruin, took a slightly different path from their...
Music Reviews
The Ax in The Oak
by Ben Weaver | reviewed by John Baccigaluppi
Mr. Weaver is a solid songwriter who gives me a mental image of Leonard Cohen backed by Wilco. Cool stuff, produced and mixed by Brian Deck (Tape Op #36) at Engine in Chicago. Mastered by Alan...
Music Reviews
The Veronica Project
by Here Comes Everybody | reviewed by Curtis Settino
I can't review this album objectively because I've been friends with Michael Jarmer and René Ormae-Jarmer - Here Comes Everybody - for about 10 years. I participate in the same songwriting...
Music Reviews
Here With Me
by Jennifer O’Connor | reviewed by Larry Crane
Jennifer's fourth solo album was produced, recorded and mixed by John Agnello (Tape Op issue #14/book Vol. II) in 12 quick days at Headgear (issue #65) in Brooklyn, NY. Apparently all basic tracks and...
Music Reviews
Thank You Friends: The Ardent Records Story
by Various Artists | reviewed by Larry Crane
Why do you need this CD? Ardent Studios (issue #58) has been host to some of the best music in Memphis over the years, and this covers the mid-sixties backyard garage recordings up to the...
Music Reviews
Sucker Punch Requiem
by Lisle Ellis | reviewed by John Baccigaluppi
This is a post modern homage to the late, great artist, Jean-Michel Basquiat. Heavy on the electronics (but not laptop music), this was performed by a small ensemble with woodwinds, brass, percussion...
Music Reviews
Hallowed Ground
by I See Hawks In L.A. | reviewed by John Baccigaluppi
Jeff Scott Roberson Summer's Here These two albums carry the torch for traditional country music. Hawks land in the Gram Parsons camp, which is a pretty good place to be. This CD has some great tunes...
Music Reviews
$ell The Sky
by Upwell | reviewed by John Baccigaluppi
Jack Endino (Tape Op #13/book Vol. II). did an awesome job producing, recording and mixing this at Soundhouse in Seattle. His quote on the band's press release sums it up perfectly, "Upwell is one of...
Music Reviews
s/t
by Conor Oberst | reviewed by John Baccigaluppi
I've really enjoyed Oberst's last few albums under his Bright Eyes moniker, and this CD is nothing new or unexpected (that's a good thing). Well crafted, literate songs that would loosely fall under...
Music Reviews
True Dirt
by The Snow | reviewed by John Baccigaluppi
A nice disc of jazz inflected pop. Well written with tasty covers of Bruce Springsteen and M. Ward songs. Recorded in Brooklyn, NY, by Bryce Goggin (Tape Op #40) and Adam Sachs at Trout Studios and by...
Music Reviews
Be Kind, Rewind
by Be Kind, Rewind | reviewed by John Baccigaluppi
I know this isn't a CD, but it has the same shape as a CD. Seriously though, this DVD by one of my favorite directors, Michel Gondry (Eternal Sunshine Of The Spotless Mind), has a theme that is very...
Music Reviews
Auditorium
by Radar Brothers | reviewed by John Baccigaluppi
Jim Putnam Mt. Wilson Repeater I always like to get a new Radar Brothers album, they're comfort music to me, like mac and cheese on a cold winter evening. So when I finally got around to getting a...