" ... as steel guitar driven as this and Goodbye to Language, but I believe they belong together. Venetian Snares x Daniel Lanois Live in Winnipeg Can you talk a little bit about the physical setup? Yes. Well, from the audience's perspective, if ... "
" ... and this is Thursday — you gotta get your set-up going. And I found that it increased communication. [ image lanois2 type=left ] Everybody was listening to the same thing. Musicians were hearing their instruments in the room and the engineer ... Peter's recommended a great French jazz drummer named Manu Katche. He rolled in and I said, "Can you play this?" [Daniel vocalizes the beat.] It was a real sexy kind of swing thing, which later turned into hip-hop, but at the ... "
" You made a temporary exodus from Indiana to California — and you ended up interning at Daniel Lanois' Teatro studio. How did that happen? Well, I was born and raised in Mobile, Alabama, and of course in 6th ... "
" ... it back together. Bang, that's your edit! Those are the skills that I got from there. Was this after Daniel Lanois had sold the studio to Bob Doidge? Yeah. Daniel had sold it a couple of years before. After six months, ... "
" ... years later I was dating this guy's sister. We had met on a session and started going out, and Jocelyn Lanois said, "My brother's going to be back in town and he can pick you up at the bus station next ... Brian produced it, there must be something to it." The same can be said for a lot of people. Well, Daniel Lanois brought Emmylou, Bob Dylan and Willie Nelson to a whole new generation Most certainly... Yeah, and I think that ... "
" Adam, could you begin by telling us, well, who you are? I'm 27 [years old] — I was born in Toronto. I started working for Dan about five years ago. A [drummer] friend of mine named Victor Indrizzo was working ... "
" ... was something there for me as an opportunity. So I went to Grant Avenue studio and her uncle was Bob Lanois [co-owner and brother of producer/engineer Daniel]. The first time I walked into that studio, having made an appointment, and looked at the control room and spent ... "
" ... felt comfortable and at home recording here. Brian Blade at Eyeland Studio We were on tour with my friend, Daniel Lanois, and played a show at the Columbus. I met Jeff in the foyer and he showed us the studio space, ... "
" ... yeah. Could you describe the vibe of the studio? I could write a book about that. When these guys [Bob Lanois and Daniel Lanois] decided to move the studio here in the '70s, at the time they were recording in their mom's basement ... "
" ... arrangements. How did you pair songs with people? "When I See" was the first song that I finished instrumentally. Daniel Lanois played pedal steel on it, and Kurt Rosenwinkel did a guitar solo in the middle. That's the one Conor Oberst ... "
" ... heard. It was remarkable, that. It was the first time that Brian and I had worked together; as well as Daniel, who on his own is a remarkable talent. I didn’t realize what that record would come to mean to a ... "
" ... I was insistent that Jason was going to produce the record, because it made sense. We went down to [Daniel Lanois'] Kingsway [in New Orleans] to do it and we spent a ton of money. It just turned out to sound ... "
" ... song arranger as well. To be honest, Bob doesn't need a producer. I have a lot of respect for [Daniel] Lanois and everybody who has worked with him, because that's a tall order to sit there and have the balls to ... "
" ... from the beginning?" [laughter] Among interviews we have done in the past, several have worked with Brian Eno, including Daniel Lanois (#37), Tony Visconti (#29), Martin Bisi (#51), Kevin Killen (#67), David Byrne and Pat Dillett (#79) and Devo (#80). brian-eno.net ... "
" ... really amazing mixer, like Bob Clearmountain, Jack Joseph Puig and those guys. I've always been influenced by Brian Eno, Daniel Lanois and a more organic, ambient sound. I think at the time it was an interesting point in music. It was ... "
" ... It was very intimidating and rewarding, because he would say things like, "Oh, I played it for Bono and Daniel [[Lanois] and they loved it." I was like, "I knew I should have ridden that vocal more!" They were probably there ... "
" ... one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson's first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn't have to sit in ... "
" ... as it became? Well, U2 wanted it to be pivotal. There were very frank discussions with Brian Eno and Danny Lanois of how to create a new sound. Both Brian and Danny wanted to help the band move away from what ... an incredibly wonderful one. In the space of a couple years I'd worked with Steve Lillywhite, Arif Mardin, Brian Eno, Daniel Lanois, Pat Leonard, Peter Walsh, Jimmy Iovine and Bob Clearmountain. They all approached their craft in different manners, but the ... "
" ... it to pull me into where that person was when he or she was writing it. Listening to a Daniel Lanois [Tape Op #37] production will put me somewhere else. If anyone asks, "How do you set up your [UA] 1176?" ... "
" ... are a lot of good, inexpensive effects processors — that's really whatever you like. What producers/engineers/albums particularly inspire you? Daniel Lanois [#37 & #127] would be close to the top of my list. He makes great records, notably Peter Gabriel's So. The ... "
