" ... that's as steel guitar driven as this and Goodbye to Language, but I believe they belong together. Venetian Snares x Daniel Lanois Live in Winnipeg Can you talk a little bit about the physical setup? Yes. Well, from the audience's perspective, if ... "
" ... Peter's recommended a great French jazz drummer named Manu Katche. He rolled in and I said, "Can you play this?" [type=left ] Everybody was listening to the same thing. Musicians were hearing their instruments in the room and the engineer would ... "
" You made a temporary exodus from Indiana to California — and you ended up interning at Daniel Lanois' Teatro studio. How did that happen? Well, I was born and raised in Mobile, Alabama, and of course in 6th ... "
" ... glue it back together. Bang, that's your edit! Those are the skills that I got from there. Was this after Daniel Lanois had sold the studio to Bob Doidge? Yeah. Daniel had sold it a couple of years before. After six months, ... "
" ... Brian produced it, there must be something to it." The same can be said for a lot of people. Well, said, "My brother's going to be back in town and he can pick you up at the bus station next time ... "
" Adam, could you begin by telling us, well, who you are? I'm 27 [years old] — I was born in Toronto. I started working for Dan about five years ago. A [drummer] friend of mine named Victor Indrizzo was working ... "
" ... an opportunity. So I went to Grant Avenue studio and her uncle was Bob Lanois [co-owner and brother of producer/engineer [co-owner and brother of producer/engineer Daniel]. The first time I walked into that studio, having made an appointment, and looked at ... "
" ... Jim felt comfortable and at home recording here. Brian Blade at Eyeland Studio We were on tour with my friend, Daniel Lanois, and played a show at the Columbus. I met Jeff in the foyer and he showed us the studio space, ... "
" ... you describe the vibe of the studio? I could write a book about that. When these guys [Bob Lanois and and Daniel Lanois] decided to move the studio here in the '70s, at the time they were recording in their mom's ... "
" ... the arrangements. How did you pair songs with people? "When I See" was the first song that I finished instrumentally. Daniel Lanois played pedal steel on it, and Kurt Rosenwinkel did a guitar solo in the middle. That's the one Conor Oberst ... "
" ... heard. It was remarkable, that. It was the first time that Brian and I had worked together; as well as Daniel, who on his own is a remarkable talent. I didn’t realize what that record would come to mean to a ... "
" ... word. I was insistent that Jason was going to produce the record, because it made sense. We went down to [Daniel Lanois'] Kingsway [in New Orleans] to do it and we spent a ton of money. It just turned out to sound ... "
" ... good song arranger as well. To be honest, Bob doesn't need a producer. I have a lot of respect for [Daniel] Lanois and everybody who has worked with him, because that's a tall order to sit there and have the balls to ... "
" ... that from the beginning?" [laughter] Among interviews we have done in the past, several have worked with Brian Eno, including Daniel Lanois (#37), Tony Visconti (#29), Martin Bisi (#51), Kevin Killen (#67), David Byrne and Pat Dillett (#79) and Devo (#80). brian-eno.net ... "
" ... a really amazing mixer, like Bob Clearmountain, Jack Joseph Puig and those guys. I've always been influenced by Brian Eno, Daniel Lanois and a more organic, ambient sound. I think at the time it was an interesting point in music. It was ... "
" ... quickly. It was very intimidating and rewarding, because he would say things like, "Oh, I played it for Bono and Daniel [Lanois] and they loved it." I was like, "I knew I should have ridden that vocal more!" They were probably there ... "
" ... Tonight], one of those Talking Heads records [True Stories] with Eric Thorngren engineering, Robbie Robertson's first [self-titled] solo record with Daniel Lanois and a lot of records with Gary Katz. Being a tech was nice because I didn't have to sit in ... "
" ... an incredibly wonderful one. In the space of a couple years I'd worked with Steve Lillywhite, Arif Mardin, Brian Eno, of how to create a new sound. Both Brian and Danny wanted to help the band move away from what it ... "
" ... want it to pull me into where that person was when he or she was writing it. Listening to a Daniel Lanois [Tape Op #37] production will put me somewhere else. If anyone asks, "How do you set up your [UA] 1176?" ... "
" ... there are a lot of good, inexpensive effects processors — that's really whatever you like. What producers/engineers/albums particularly inspire you? Daniel Lanois [#37 & #127] would be close to the top of my list. He makes great records, notably Peter Gabriel's So. The ... "
" ... you're not able to get the customer's confidence, you're a washout." I was also struck by an interview with producer Daniel Lanois in his recent documentary film called Here Is What Is. Sitting at the console, he talks about the art of ... "
" ... were awaiting new woofers. From within Pro Tools LE, we put up Emmylou Harris's song "Deeper Well" off of the Daniel Lanois-produced album Wrecking Ball, a track filled with endless sonic details and effects tumbling around in the background. The difference between ... "
" ... were awaiting new woofers. From within Pro Tools LE, we put up Emmylou Harris's song "Deeper Well" off of the Daniel Lanois-produced album Wrecking Ball, a track filled with endless sonic details and effects tumbling around in the background. The difference between ... "
" ... from Ultrasone's boutique Edition9 headphones, a $1500 headset for audiophile land-barons who prefer earcups fashioned from Ethiopian hair sheep leather. Daniel Lanois' Belladonna CD has been the favorite reference at the Happy Club mixing desk, so that was my guinea pig for ... "
" ... in making the low end of my recordings sound as 3D as possible. I love the big, expansive low end Daniel Lanois and T Bone Burnett are able to achieve on records like Rockets and Raising Sand, respectively. These are kick drum ... "
" ... was surprised to hear additional clarity and full-bodied sound when listening to the dense midrange tones and cloudy atmospherics on Daniel Lanois' Belladonna album. ONE does still require battery or external power for this task, since it's designed to deliver power to ... "
" ... the pudding. Check the Adam Samuels interview in this issue, where he talks about using these boards on the new Daniel Lanois album. I've had several clients who've worked on much more expensive Class-A consoles say that this board sounds as good ... "
" ... under license by Otari starting in 1994, before the rights reverted back to iZ in 2000. For years, professionals like Daniel Lanois [Tape Op #37] and Chris Walla [#19, #111] have given praise to RADAR for its robust stability, the musical sound ... "
" ... analog bucket-brigade delay line. Ambient does long, diffuse, uh, ambient delays with chorusing, and it will get you into that Daniel Lanois zone quite nicely. Transmitter is a resonant CB radio–style delay — for when you need that lo-fi outer-space truckin' vibe. ... "
" ... In recent mixes, I've used the Delay and Stereo sections on drums to create the double drummer effect a la Daniel Lanois [Tape Op #37 & #127]. It also does an incredible job of making flat drum loops or sequenced beats sound ... "
" ... my favorite producers, and the records they make, incorporate these effects as well – Lee “Scratch” Perry [Tape Op #136], Daniel Lanois [#37], and Brian Eno [#85] are some who immediately come to mind. The Studio-Nugget I received is a single rack ... "
" ... Mel Blanc for his Looney Toons voiceovers for Bugs Bunny, and The Flinstones, plus notable vocalists Bob Dylan, Bono, and Daniel Lanois [Tape Op #37]. The warmth versus presence of vocals can be shaped simply by adjusting the mic’s bass cut control, ... "
" Having recorded some of the planet’s top musical artists, such as U2, R.E.M., Daniel Lanois [Tape Op #37, #127], Bob Dylan, Neil Young, Tom Waits, and Lucinda Williams, engineer/producer Mark Howard [#134] is well equipped ... "
" ... major Los Angeles studios (though interestingly, they are not as prominently used in Nashville), and is a favorite of producer Daniel Lanois [Tape Op #127] among others. I was thrilled at the opportunity to try out this (relatively) affordable modern interpretation from ... "
" ... and Howard says, "Highlights include Larry Levine (Phil Spector's longtime engineer) deconstructing the Wall of Sound and in-depth chats with Daniel Lanois, Trevor Horn, and former Beatles assistant engineers Richard Lush and John Kurlander. Hope everyone enjoys reading the book as much ... "
" ... - Canterbury GirlsFederale – No JusticeJeff Lynne’s ELO - From Out of NowherePeter Gabriel - Flotsam and JetsamBrian Eno With Daniel Lanois & Roger Eno ‎– Apollo: Atmospheres & Soundtracks (Extended Edition)Nérija - BlumeThe Black Keys - Let’s RockDurand Jones & the ... "
" ... me interested in the idea of tone, sound and texture through artists like Harold Budd. We sat together and picked Daniel Lanois’ brain about making records with Brian Eno over lunches while on tour. He and Michael Urbano were early role models ... "
" ... obtain. Like the Decca compressors, those cool, square mastering compressors that were in the mastering consoles. I always read that Daniel Lanois [Tape Op #37, #127] and Peter Gabriel loved them, and each had a pair. I thought their recordings sounded pretty good, ... "
" ... kill an idea before it's been fully realized." -Mark Trombino 37. "I became fascinated with recording in an open room." -Daniel Lanois 38. "Use those tools to make some decently creative music." -Larry Fast 39. "I really know so little about recording, ... "
" ... California, was great to work with, but our photos of him sucked (i.e. boring) so Anthony drew him as well. Daniel Lanois on the other hand not only insisted on final approval of all photos, but being on the front cover was ... "
